This image represents a two-dimensional work of art, such as a
drawing,
painting,
print, or similar creation. The
copyright for this image is likely owned by either the
artist who created it, the
individual who commissioned the work, or their
legal heirs. It is believed that the use of
low-resolution images of artworks:
for purposes of
critical commentary on:
- the specific work in question,
- the artistic genre or technique employed in the artwork, or
- the artistic school or tradition to which the artist is associated,
qualifies as
fair use under
copyright law.
Any other use of this image, could potentially constitute a copyright infringement.
After moving from Rome to Paris in 1906, Gino Severini came into close contact with Georges Braque, Pablo Picasso, and the other leading artists of the avant-garde capital, while staying in touch with his compatriots who remained in Italy. In 1910 he signed the “Futurist Painting: Technical Manifesto” with four other Italian artists, Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Luigi Russolo, who wanted their paintings to express the energy and speed of modern life.