Diego Velazquez (i)
Museo del Prado (Madrid, Spain) (i)
Las Meninas (Spanish for The Maids of Honour) is a painting of the Spanish Golden Age. The work's complex and enigmatic composition raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted. Because of these complexities, Las Meninas has been one of the most widely analyzed works in Western painting. The painting shows a large room in the Madrid palace of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot. Some look out of the canvas towards the viewer, while others interact among themselves. The young Infanta Margarita is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards, beyond the pictorial space to where a viewer of the painting would stand. In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on. Las Meninas has long been recognized as one of the most important paintings in Western art history. The Baroque painter Luca Giordano said that it represents the "theology of painting", while in the 19th century Sir Thomas Lawrence called the work "the philosophy of art". More recently, it has been described as "Velázquez's supreme achievement, a highly self-conscious, calculated demonstration of what painting could achieve, and perhaps the most searching comment ever made on the possibilities of the easel painting".
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- Print on 100% cotton Art canvas
- PrintsOnCanvas [{A-6E3STB}]
- Dim(18 x 20.8 inches (45.7 x 52.8 cm))
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Diego Velazquez
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Artworks in museum
- Alte Pinakothek (Munich, Germany)
- Apsley House (Wellington Museum)
- Biblioteca Nacional (Madrid, Spain)
- Chrysler Museum Of Art (Norfolk, United States)
- Collection Of The Duke Of Westminster (London, United Kingdom)
- Frick Collection (New York, United States)
- Fundación Colección Thyssen-Bornemisza (Pedralbes, Spain)
- Galleria Doria Pamphilj (Rome, Italy)
- Galleria Palatina (Italy)
- Gemäldegalerie (Dresden, Germany)
- Hispanic Society Museum - Library (New York City, United States)
- Kimbell Art Museum (Fort Worth, United States)
- Kunsthistorisches Museum (Vienna, Austria)
- Meadows Museum (Dallas, United States)
- Metropolitan Museum Of Art (New York, United States)
- Monasterio De San Lorenzo (El Escorial, Spain)
- Museo De Bellas Artes (Bilbao, Spain)
- Museo De Bellas Artes (Seville, Spain)
- Museo De Bellas Artes (Valencia, Spain)
- Museo Del Prado (Madrid, Spain)
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Stunning Painting Reproductions Made By Talented Artists, Photo Preview before Shipping. | Diego Velazquez - Las Meninas (The Maids of Honor) or the Royal Family
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Museum Quality Oil Painting Reproductions, 50% Below Retail. | Diego Velazquez - Las Meninas (The Maids of Honor) or the Royal Family
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PrintsOnCanvas [{A-6E3STB}]-Dim(18 x 20.8 inches (45.7 x 52.8 cm))-DC(BGYKD05)-Shipping(Slow)-GlossyTextured-NamePlate-FRAME(W500HY)-Diego Velazquez-Las Meninas (The Maids of...
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Las Meninas (Spanish for The Maids of Honour) is a painting of the Spanish Golden Age. The work's complex and enigmatic composition raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted. Because of these complexities, Las Meninas has been one of the most widely analyzed works in Western painting. The painting shows a large room in the Madrid palace of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot. Some look out of the canvas towards the viewer, while others interact among themselves. The young Infanta Margarita is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards, beyond the pictorial space to where a viewer of the painting would stand. In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on. Las Meninas has long been recognized as one of the most important paintings in Western art history. The Baroque painter Luca Giordano said that it represents the 'theology of painting', while in the 19th century Sir Thomas Lawrence called the work 'the philosophy of art'. More recently, it has been described as 'Velázquez's supreme achievement, a highly self-conscious, calculated demonstration of what painting could achieve, and perhaps the most searching comment ever made on the possibilities of the easel painting'.
Diego Velazquez
Diego Velazquez
Oil
Oil