Pablo Picasso (i)
The destitute outcasts featured in Picasso's Blue Period gave way, in 1905, to circus performers and harlequins in more colorful settings. At the Lapin Agile, a canvas nearly square and broadly painted, was originally conceived to decorate a bar in Montmartre, the interior of which is depicted here. Since the painting would be seen across a crowded and smoky room, Picasso's composition was of posterlike simplicity. He aligned glasses and figures—hatted and shown from full-face to profile view—along severe diagonals, ending with a seated guitarist, Frédéric (Frédé) Gérard, the café's owner. Standing at the counter is Picasso himself, dressed as the melancholy and gaunt Harlequin in a vivid diamond-patterned shirt and three-cornered hat. Behind him, in profile with heavy makeup and pouty lips, leans Germaine Pichot, a model and notorious femme fatale, wearing a gaudy orange dress, bead choker, boa, and feathered hat. In 1901, unrequited love for Germaine had driven Picasso's close friend Carlos Casagemas to suicide, a melodrama that continued to haunt Picasso several years later.
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- Print on 100% cotton Art canvas
- PrintTextured [{A-8EWMUK}]
- Dim(21 x 21.2 inches (53.3 x 53.8 cm))
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Pablo Picasso
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Artworks in museum
- Art Institute Of Chicago (Chicago, United States)
- Cleveland Museum Of Art (United States)
- Detroit Institute Of Arts (Detroit, United States)
- Galerie Rosengart (Luzern, Switzerland)
- Museo Nacional Centro De Arte Reina Sofía (Madrid, Spain)
- Museu Picasso (Barcelona, Spain)
- Museum Of Modern Art (New York City, United States)
- Museum Of Modern Art (New York, United States)
- Museum Of The Kunstmuseum Basel (Switzerland)
- Musée National Picasso (Paris, France)
- Musée Picasso (Paris, France)
- National Gallery Of Art (Washington, United States)
- National Museum In Warsaw (Warsaw, Poland)
- Peggy Guggenheim Collection (Venice, Italy)
- Pushkin State Museum (Moscow, Russia)
- Staatsgalerie Stuttgart (Stuttgart, Germany)
- The Metropolitan Museum Of Art (New York, United States Of America)
- The Museum Of Modern Art (New York City, United States)
More information on this artwork on this websites
Pablo Picasso - At the ''Lapin Agile''
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Pablo Picasso - At the ''Lapin Agile''
Pablo Picasso - At the ''Lapin Agile''
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The destitute outcasts featured in Picasso's Blue Period gave way, in 1905, to circus performers and harlequins in more colorful settings. At the Lapin Agile, a canvas nearly square and broadly painted, was originally conceived to decorate a bar in Montmartre, the interior of which is depicted here. Since the painting would be seen across a crowded and smoky room, Picasso's composition was of posterlike simplicity. He aligned glasses and figures—hatted and shown from full-face to profile view—along severe diagonals, ending with a seated guitarist, Frédéric (Frédé) Gérard, the café's owner. Standing at the counter is Picasso himself, dressed as the melancholy and gaunt Harlequin in a vivid diamond-patterned shirt and three-cornered hat. Behind him, in profile with heavy makeup and pouty lips, leans Germaine Pichot, a model and notorious femme fatale, wearing a gaudy orange dress, bead choker, boa, and feathered hat. In 1901, unrequited love for Germaine had driven Picasso's close friend Carlos Casagemas to suicide, a melodrama that continued to haunt Picasso several years later.
Pablo Picasso
Pablo Picasso
Engraving
Engraving