Frans Hals (i)
National Gallery (Prague, Czech Republic) (i)
Hals's most penetrating characterizations date from the last decades of his life. With uncanny subtlety, he grasped the personalities of all types: the strong and the vulnerable, the pompous and the meek, the brutal and the tender. Though he found some sitters more congenial than others, the aged master never seems to have been bored with his job. During these years he was especially sympathetic to sitters of his own generation. The pictorial reserve of his last phase was particularly suitable for the portrayal of his peers, whose age and tastes made them shun the new vogue for the ostentatious. But we sense he could also be critical of them. He was, however, more devastating when appraising members of the younger generation who found themselves dissatisfied with their father's tastes, and began to imitate the manners and clothes of the French nobility. Yet the artist was able to satisfy the desire of young patrons for rich effects without losing his extraordinary sensitivity to tonal gradations as seen in his half-length of Jasper Schade, a patrician of Utrecht who later was representative of his province to the States-General. Hals's characterization of him, and his firm control of pictorial organization, convince us that as a young man his sitter was a vain, proud peacock, an impression confirmed by a contemporary report that he spent extravagant sums on his wardrobe. In a letter written in 1645 (almost certainly the date of Hals's portrait) his uncle admonished his son, then in Paris, not to run up tremendous bills with his tailors the way his cousin Jasper Schade had done.
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- Oil Painting
- OilPainting [{A-7YMQ5M}]
- PROMOTION(BGYKD05)
- NamePlate
- FRAME(W500HY)
- Linen
- Dim(33 x 39.3 inch (83.8 x 99.8 cm))
- Frans Hals-Jasper Schade
- Discount of -27 USD on the painting
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Frans Hals
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Artworks in museum
- Alte Pinakothek (Munich, Germany)
- Art Gallery Of Ontario (Canada)
- Art Gallery Of Ontario (Toronto, Canada)
- Art Museum (Cincinnati, United States)
- Aurora Art Fund (Bucharest, Romania)
- Barber Institute Of Fine Arts (Birmingham, United Kingdom)
- Carnegie Museum Of Art (Pittsburgh, United States)
- Christ Church (Oxford, United Kingdom)
- City Museums And Art Galleries (Hull, United Kingdom)
- Devonshire Collection (Chatsworth, United Kingdom)
- Frans Hals Museum (Haarlem, Netherlands)
- Frans Halsmuseum (Haarlem, Netherlands)
- Frick Collection (New York, United States)
- Frick Collection (United States)
- Kimbell Art Museum (United States)
- Koninklijk Museum Voor Schone Kunsten (Antwerp, Belgium)
- Liechtenstein Museum (Vienna, Austria)
- Mauritshuis (The Hague, Netherlands)
- Metropolitan Museum Of Art (New York, United States)
- Musee De Picardie (Amiens, France)
More information on this artwork on this websites
Stunning Painting Reproductions Made By Talented Artists, Photo Preview before Shipping. | Frans Hals - Jasper Schade
www.studyblue.com/notes/note/n/arh-344-midterm/dec...
Study 99 ARH 344 Midterm flashcards from Michelle S. on StudyBlue.
Buy Fine-Art Reproductions or create your own Custom Portrait from Photo. | Frans Hals - Jasper Schade
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OilPainting [{A-7YMQ5M}]-PROMOTION(BGYKD05)-NamePlate-FRAME(W500HY)-Linen-Dim(33 x 39.3 inch (83.8 x 99.8 cm))-Frans Hals-Jasper Schade
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Hals's most penetrating characterizations date from the last decades of his life. With uncanny subtlety, he grasped the personalities of all types: the strong and the vulnerable, the pompous and the meek, the brutal and the tender. Though he found some sitters more congenial than others, the aged master never seems to have been bored with his job. During these years he was especially sympathetic to sitters of his own generation. The pictorial reserve of his last phase was particularly suitable for the portrayal of his peers, whose age and tastes made them shun the new vogue for the ostentatious. But we sense he could also be critical of them. He was, however, more devastating when appraising members of the younger generation who found themselves dissatisfied with their father's tastes, and began to imitate the manners and clothes of the French nobility. Yet the artist was able to satisfy the desire of young patrons for rich effects without losing his extraordinary sensitivity to tonal gradations as seen in his half-length of Jasper Schade, a patrician of Utrecht who later was representative of his province to the States-General. Hals's characterization of him, and his firm control of pictorial organization, convince us that as a young man his sitter was a vain, proud peacock, an impression confirmed by a contemporary report that he spent extravagant sums on his wardrobe. In a letter written in 1645 (almost certainly the date of Hals's portrait) his uncle admonished his son, then in Paris, not to run up tremendous bills with his tailors the way his cousin Jasper Schade had done.
Frans Hals
Frans Hals
Oil On Canvas
Oil On Canvas