Hans Holbein The Younger (i)
Kunsthistorisches Museum (Vienna, Austria) (i)
This portrait was one of Holbein's first commissions as a master painter in Basel. The young academic Bonifacius (or Boniface) Amerbach (1495–1562), a printer's son, became a friend and admirer of Holbein, as both men mixed in humanist circles in Basel. Amerbach, who went on to teach Roman law at Basel University, was also a friend of the great humanist scholar Desiderius Erasmus, who made him his sole heir. He became a collector of Holbein's art, and his collection, expanded by his son Basilius, formed the core of Basel's art museum. The almost square format of the picture is unusual. Behind the sitter are a fig tree and a range of snow-covered mountains. The inscription tablet on the left of the sitter contains Latin verse by Amerbach that translates: "Although a painted face, I am not second to the living face; I am the gentleman's equal, and I am distinguished by correct lines. He has lived eight periods of three years, and through me this work of art depicts with diligence what belongs to nature". This is followed by the names of Amerbach and Holbein and a precise date.
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- Oil Painting
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Hans Holbein The Younger
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Artworks in museum
- Alte Pinakothek (Munich, Germany)
- Ashmolean Museum (Oxford, United Kingdom)
- British Museum (London, United Kingdom)
- Frick Collection (United States)
- Galleria Degli Uffizi (Florence, Italy)
- Galleria Nazionale (Italy)
- Isabella Stewart Gardner Museum (Boston, United States)
- Kunsthistorisches Museum (Vienna, Austria)
- Kunstmuseum Basel (Basel, Switzerland)
- Kunstmuseum Basel (Switzerland)
- Kunstmuseum (St. Gallen, Switzerland)
- Kupferstichkabinett (Germany)
- Mauritshuis (The Hague, Netherlands)
- Metropolitan Museum Of Art (New York, United States)
- Museo De Arte De Sao Paulo (Brazil)
- Museo Del Prado (Spain)
- Museum Der Stadt Solothurn (Germany)
- Musée Du Louvre (Paris, France)
- National Gallery Of Art (Washington, United States)
- National Gallery (London, United Kingdom)
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This portrait was one of Holbein's first commissions as a master painter in Basel. The young academic Bonifacius (or Boniface) Amerbach (1495–1562), a printer's son, became a friend and admirer of Holbein, as both men mixed in humanist circles in Basel. Amerbach, who went on to teach Roman law at Basel University, was also a friend of the great humanist scholar Desiderius Erasmus, who made him his sole heir. He became a collector of Holbein's art, and his collection, expanded by his son Basilius, formed the core of Basel's art museum. The almost square format of the picture is unusual. Behind the sitter are a fig tree and a range of snow-covered mountains. The inscription tablet on the left of the sitter contains Latin verse by Amerbach that translates: 'Although a painted face, I am not second to the living face; I am the gentleman's equal, and I am distinguished by correct lines. He has lived eight periods of three years, and through me this work of art depicts with diligence what belongs to nature'. This is followed by the names of Amerbach and Holbein and a precise date.
Hans Holbein The Younger
Hans Holbein The Younger
Oil
Oil