Rogier Van Der Weyden (i)
Musée des Beaux-Arts (Dijon, France) (i)
"The St. Mary Magdalene, drawn from the right wing of the Braque Triptych (Musée du Louvre, Paris), is a version of an entire painting. This is undoubtedly a copy from the finished picture, for the saint's veil, fluttering around her turban head-dress in the underdrawing of the panel, is pinned up in the drawing in exactly the same way as it appears in the final version of the painting. Although it is therefore a copy, the drawing, sometimes ascribed to Rogier himself, is notable for its confidence and expressive power. Striking features are its varied line and the differing amount of attention paid to detail: the face and head-dress are very finely drawn, in the manner of the drawings discussed above, while the clothing and body are depicted only by rapid lines, though those lines are sufficient to convey ideas of shape. The landscape, on the other hand, is indicated only in rough compositional outline, with a swift stroke symbolizing a row of trees. Nor was the artist interested in the ornate brocade pattern of the sleeve; for that detail, he could use a pattern already present in the workshop's stocks if necessary. The drawing may have been done to provide a workshop record of the final version of the Magdalene in the Bracque Triptych."
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- Oil Painting
- OilPainting [{A-8BWV7M}]
- PROMOTION(MHZKF10)
- NamePlate
- FRAME(P438Z)
- Linen
- Dim(25 x 38.7 inch (63.5 x 98.3 cm))
- Rogier Van Der Weyden-Portrait of Philip the Go...
- Discount of -45 USD on the painting
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- Total:802 USD
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Rogier Van Der Weyden
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Artworks in museum
- Alte Pinakothek (Munich, Germany)
- Art Institute Of Chicago (Chicago, United States)
- British Museum (London, United Kingdom)
- Church (Ambierle, France)
- Courtauld Gallery (London, United Kingdom)
- Groeninge Museum (Bruges, Belgium)
- Henry E. Huntington Library (San Marino, United States)
- J. Paul Getty Museum (Los Angeles, United States)
- Koninklijk Museum Voor Schone Kunsten (Antwerp, Belgium)
- Kunsthistorisches Museum (Vienna, Austria)
- Mauritshuis (The Hague, Netherlands)
- Metropolitan Museum Of Art (New York, United States)
- Museo Del Prado (Madrid, Spain)
- Museo Thyssen-Bornemisza (Madrid, Spain)
- Museu Calouste Gulbenkian (Lisbon, Portugal)
- Museum Boijmans Van Beuningen (Rotterdam, Netherlands)
- Museum Der Bildenden Künste (Leipzig, Germany)
- Museum Of Fine Arts (Boston, United States)
- Museum Of Fine Arts (Houston, United States)
- Musée De L`hôtel Dieu (Beaune, France)
More information on this artwork on this websites
Buy an oil painting reproduction. | Rogier Van Der Weyden - Portrait of Philip the Good
saylingaway.wordpress.com/2014/04/26/w-van-der-we...
Don't forget to click on the artwork! Rogier van der Weyden (1399 or 1400 –...
www.youhuaaa.com/page/painting/show.php?id=...
画作《菲利普西古德的肖像》是由画家罗吉尔·凡·德·韦登于c1450年创作的艺术作品。画作《菲利普西古德的肖像》的作品材质是木板油画 oil on wo...
Buy reproductions of original paintings Directly From our Studio. | Rogier Van Der Weyden - Portrait of Philip the Good
www.youhuaaa.com/page/painting/show.php?id=...
画作《philip the good》是由画家罗吉尔·凡·德·韦登于c1450年创作的艺术作品。画作《philip the good》的作品材质是木板...
ArtsDot.com (Rogier Van Der Weyden)
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OilPainting [{A-8BWV7M}]-PROMOTION(MHZKF10)-NamePlate-FRAME(P438Z)-Linen-Dim(25 x 38.7 inch (63.5 x 98.3 cm))-Rogier Van Der Weyden-Portrait of Philip the Go...
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'The St. Mary Magdalene, drawn from the right wing of the Braque Triptych (Musée du Louvre, Paris), is a version of an entire painting. This is undoubtedly a copy from the finished picture, for the saint's veil, fluttering around her turban head-dress in the underdrawing of the panel, is pinned up in the drawing in exactly the same way as it appears in the final version of the painting. Although it is therefore a copy, the drawing, sometimes ascribed to Rogier himself, is notable for its confidence and expressive power. Striking features are its varied line and the differing amount of attention paid to detail: the face and head-dress are very finely drawn, in the manner of the drawings discussed above, while the clothing and body are depicted only by rapid lines, though those lines are sufficient to convey ideas of shape. The landscape, on the other hand, is indicated only in rough compositional outline, with a swift stroke symbolizing a row of trees. Nor was the artist interested in the ornate brocade pattern of the sleeve; for that detail, he could use a pattern already present in the workshop's stocks if necessary. The drawing may have been done to provide a workshop record of the final version of the Magdalene in the Bracque Triptych.'
Rogier Van Der Weyden
Rogier Van Der Weyden
Oil
Oil