Paul Klee (i)
This painting from his first year of exile in Switzerland, shows him solving the problem by texturing the paper with overlapping thatches of brushstrokes. The figure we assume it is a figure from the legs and white head has unfolded into a pattern of overlapping sheets, as if torn apart by the wind or opening voluntarily to its energy.
The large areas of gray within the figure result from the complementary antagonism of red and green, or orange and blue, symbolic in this context of the transition between summer and winter, growth and harvest, maturation and decline. But is the figure releasing its warmth to the wind, leaving a gray husk, or absorbing the autumnal colors?
The symbol of the arrow has been removed; direction and cause, action and effect no longer matter. The Pedagogical Sketchbook seems to be describing this ecstatic, balanced state when it says: "Kinetic coordination is an intricate task and demands a concept of advanced maturity. As norm for such a composition we may postulate: a harmonization of elements toward an independent, calm-dynamic, and dynamic-calm entity." In that light, this might be Klee's self portrait in the autumn of his life, calmly embodying through his art the dynamic mysteries of the world.
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- Oil Painting
- OilPainting [{A-8XYQP8}]
- PROMOTION(BGYKD05)
- NamePlate
- FRAME(P919G)
- Linen
- Dim(30 x 38.8 inch (76.2 x 98.6 cm))
- Paul Klee-Diana in the Autumn Wind
- Discount of -24 USD on the painting
- Worldwide DHL/Fedex Shipping
- Quality nameplate for your Painting
- With insurance of refund 100% of all eventual fees including customs taxes
- Total:932 USD
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Paul Klee
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Artworks in museum
- Alte Nationalgalerie (Berlin, Germany)
- Kunstmuseum Basel (Basel, Switzerland)
- Kunstmuseum (Bern, Switzerland)
- Kunstsammlung Nordrhein-Westfalen (Düsseldorf, Germany)
- Museum Of Fine Arts Bern (Bern, Switzerland)
- Philadelphia Museum Of Art (Philadelphia, United States)
- Städtische Galerie Im Lenbachhaus (Munich, Germany)
- The Barnes Foundation (Philadelphia, United States)
- The Metropolitan Museum Of Art (New York City, United States)
- The Metropolitan Museum Of Art (New York, United States Of America)
- Zentrum Paul Klee (Bern, Switzerland)
More information on this artwork on this websites
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ArtsDot.com (Paul Klee)
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OilPainting [{A-8XYQP8}]-PROMOTION(BGYKD05)-NamePlate-FRAME(P919G)-Linen-Dim(30 x 38.8 inch (76.2 x 98.6 cm))-Paul Klee-Diana in the Autumn Wind
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This painting from his first year of exile in Switzerland, shows him solving the problem by texturing the paper with overlapping thatches of brushstrokes. The figure we assume it is a figure from the legs and white head has unfolded into a pattern of overlapping sheets, as if torn apart by the wind or opening voluntarily to its energy.
The large areas of gray within the figure result from the complementary antagonism of red and green, or orange and blue, symbolic in this context of the transition between summer and winter, growth and harvest, maturation and decline. But is the figure releasing its warmth to the wind, leaving a gray husk, or absorbing the autumnal colors?
The symbol of the arrow has been removed; direction and cause, action and effect no longer matter. The Pedagogical Sketchbook seems to be describing this ecstatic, balanced state when it says: 'Kinetic coordination is an intricate task and demands a concept of advanced maturity. As norm for such a composition we may postulate: a harmonization of elements toward an independent, calm-dynamic, and dynamic-calm entity.' In that light, this might be Klee's self portrait in the autumn of his life, calmly embodying through his art the dynamic mysteries of the world.