Dora de Houghton Carrington and somewhat androgynous appearance, she was troubled by her sexuality; she is known to have had an affair with Henrietta Bingham. She also had a significant relationship with the writer Gerald Brenan. In his first novel Crome Yellow, Aldous Huxley based the character of Mary Bracegirdle on Carrington, and described how she and he slept on the roof of "Lollipop Hall", based on Lady Ottoline Morrell's home. He chose the name "Bracegirdle" because of Dora's chastity.
In June 1918, Virginia Woolf wrote of Carrington in her diary: "She is odd from her mixture of impulse & self consciousness. I wonder sometimes what she’s at: so eager to please, conciliatory, restless, & active.... ut she is such a bustling eager creature, so red & solid, & at the same time inquisitive, that one can’t help liking her." Carrington first set up house with Lytton Strachey in November 1917, when they moved together to Tidmarsh Mill House, near Pangbourne, Berkshire. Carrington met Ralph Partridge, an Oxford friend of her younger brother Noel, in 1918. Partridge fell in love with Carrington and eventually, in 1921, Carrington agreed to marry him, not for love but to hold the menage a trois together. Strachey paid for the wedding, and also accompanied the couple on their honeymoon in Venice. The three moved to Ham Spray House in Wiltshire in 1924; the house had been purchased by Strachey in the name of Partridge.
In 1926, Ralph Partridge began an affair with Frances Marshall, and left to live with her in London. His marriage to Carrington was effectively over, but he continued to visit her most weekends. In 1928 Carrington met Bernard ‘Beakus’ Penrose, a friend of Partridge’s and the younger brother of the artist Roland Penrose, and began an affair with him. The affair energized Carrington's artistic creativity, and she also collaborated with Penrose on the making of three films. However, Penrose wanted Carrington exclusively for himself, a commitment she refused to make because of her love for Strachey. The affair, her last with a man, ended when Carrington became pregnant and had an abortion.
During her lifetime, Carrington's work received no critical attention. The lack of encouragement may have kept her from displaying her artwork. Carrington's work can be described as progressive, because it did not fit into the mainstream of art in England at the time. In fact, her work was not considered art at all. It featured Victorian-style pictures which were made from coloured tinfoil and paper. Carrington included pen sketches in letters to her friends, with the intention of entertaining them. She also created woodblock prints, which were highly regarded. Her lesser-known work included painted pub signs and murals, ceramics, fireplaces, and tin trunks.
Carrington was better known for her landscape paintings, which have been linked to surrealism. Her landscapes blend the facts of visual perception with interior desires and fantasies. One work of art, Mountain Ranges from Yegen, Andalusia, 1924, shows the split in perspectives. There is an intimate foreground, and there is in the distance a view of the mountains. The main focus, on the middle mountains, exhibit the texture of human skin. This merges the notion of the personal being made public.
Lytton Strachey died of stomach cancer at Ham Spray in January 1932. Carrington, who saw no purpose in a life without Strachey, committed suicide two months after his death by shooting herself with a gun borrowed from her friend, Hon. Bryan Guinness (later 2nd Baron Moyne). Her body was cremated and the ashes buried under the laurels in the garden of Ham Spray House.

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