Early Life and Education

Hanna Hirsch, later Hanna Pauli, was a Swedish painter born on January 13, 1864, in Stockholm, Sweden. She was the daughter of music publisher Abraham Hirsch. Hanna began her artistic career at the August Malmström school of painting and later attended the Royal Swedish Academy of Arts in Stockholm.

Artistic Style and Notable Works

Hanna's artwork primarily consisted of genre scenes and portraits, showcasing her skill in capturing the essence of everyday life. One of her notable works is Vänner (1900-1907), a large portrait depicting a group of people gathered in a warm and contemplative atmosphere. This painting can be seen as a monument to the meaning of friendship and the launch of a new cultural elite.

Paris and International Recognition

In 1885, Hanna moved to Paris, where she studied at the Academie Colarossi and shared a studio with fellow artist Eva Bonnier. Her portrait of Finnish sculptor Venny Soldan was accepted into the Paris Salon in 1887, showcasing her realistic and unconventional style. This work received a third-class medal at the 1889 Exposition Universelle in Paris.

Legacy and Later Life

Hanna Hirsch Pauli's artwork stood closer to the French juste milieu painters than to most impressionists. She continued to paint until her later years, leaving behind a legacy of genre scenes and portraits that remain significant in Swedish art history. Hanna passed away on December 29, 1940, in Solna.

• View Hanna Hirsch's Artworks on WahooArt.com
• Read more about Hanna Hirsch Pauli on Wikipedia
• Explore the Nationalmuseum (Stockholm, Sweden), which features several of Hanna's artworks, including Frukostdags (1887).

Key Points: * Born on January 13, 1864, in Stockholm, Sweden * Daughter of music publisher Abraham Hirsch * Attended the Royal Swedish Academy of Arts in Stockholm * Notable works include Vänner (1900-1907) and Frukostdags (1887) * Received a third-class medal at the 1889 Exposition Universelle in Paris

**Early Life and Education**

Hanna Hirsch, later Hanna Pauli (Stockholm, 13 January 1864 – 29 December 1940, Solna), was a Swedish painter primarily of genre scenes and portraits. Born in Stockholm, Sweden, Hirsch received her early education at the August-Malström school of painting for women.

**Artistic Career**

Hanna Hirsch's artistic career began with studies at the Konstakademien (1881-85) and later in Paris, where she honed her skills. Her work is characterized by its focus on genre scenes and portraits, often depicting the lives of women and their daily routines.

• Breakfast-Time (1887), a painting showcasing a moment of domesticity, is one of her most notable works. This piece can be found in the Nationalmuseum (Stockholm, Sweden) and is a testament to Hirsch's ability to capture the essence of everyday life.
• Vänner (circa 1890), another significant work, highlights her skill in portraying the warmth of friendships. This painting is also housed at the Nationalmuseum.

**Feminism and Art**

Hirsch's work not only showcases her artistic prowess but also reflects her feminist stance. Her depictions of women in their daily lives, free from the constraints of traditional roles, are a testament to her progressive views. This is particularly evident in her letters written during her study trips to Paris (1885-87), which offer a unique insight into her experiences as a woman artist in a male-dominated field.

**Legacy and Resources**

For those interested in delving deeper into Hanna Hirsch's life and work, the following resources are recommended:

• WikiArt.org: Provides an extensive collection of her artworks.
• Wikipedia: Offers a concise biography and overview of her artistic career.
• Nationalmuseum's Collection: Features several of her notable works, including Breakfast-Time and Vänner.

**Conclusion**

Hanna Hirsch's legacy as a Swedish painter is not only marked by her captivating genre scenes and portraits but also by her contribution to the feminist movement through her art. Her work continues to inspire, offering a unique window into the lives of women in late 19th-century Sweden.