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Purchase Oil Painting Replica Moonlit seascape, 1892 by Alfred Stevens (1823-1906, Belgium) | ArtsDot.com

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Moonlit seascape

Alfred Stevens (i)


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In 1880 Stevens was advised to take the sea air as a remedy for a bronchial condition allegedly caused by breathing turpentine fumes. Acting on this advice he began spending two months of each year on the Normandy coast. During these visits he painted seascapes and the hotel society of the seaside resorts. By this time his reputation was such that the dealer Georges Petit guaranteed to pay the artist 50 000 francs for his output of seascapes per season.1 The exact location of the scene in the Australian National Gallery's painting remains unknown. The seascapes exhibited by Stevens at the Salon de Mar in 1892 were painted in the Le Havre-Honfleur area of Normandy, at the mouth of the Seine, while those exhibited in May 1893 were painted at Loctudy, in the west of Brittany. The inclusion of a steamer in the Gallery's painting indicates that the more populous Normandy coast is the likely location.
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Alfred Stevens

Early Life and Training

Alfred Émile Léopold Stevens, a renowned Belgian painter, was born on May 11, 1823, in Brussels. His family was deeply rooted in the visual arts, with his older brother Joseph (1816–1892) and son Léopold (1866–1935) being painters, while another brother Arthur (1825–99) was an art dealer and critic.

Artistic Career

Stevens began his artistic journey at the Académie Royale des Beaux-Arts in Brussels, where he studied under the guidance of François Navez, a Neo-Classical painter. In 1843, he moved to Paris, joining his brother Joseph, and was admitted to the École des Beaux-Arts. Although it is disputed whether he became a student of Jean Auguste Dominique Ingres, Stevens' early work, such as The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcases his mastery of conventional naturalistic style, influenced by 17th-century Dutch genre painting.

Rise to Prominence

Stevens' work was first publicly exhibited in 1851 at the Brussels Salon, earning him a third-class medal at the Paris Salon in 1853 and a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu'on appelle le vagabondage (Musée d'Orsay, Paris) caught the attention of Napoleon III, leading to a significant change in the treatment of the poor.

Notable Works and Legacy

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