A Life Devoted to Capturing Serene Landscapes

John Frederick Kensett, an American artist and engraver, was born on March 22, 1816, in Cheshire, Connecticut. As a member of the second generation of the Hudson River School of artists, Kensett's signature works are characterized by their serene and luminous qualities, celebrating the transcendental aspects of nature.

Early Life and Training

Kensett attended school at Cheshire Academy and studied engraving with his father, Thomas Kensett. He later worked as an engraver in New Haven until 1838, then moved to New York City to work on banknote engravings. In 1840, Kensett traveled to Europe to study painting, refining his talents alongside Benjamin Champney.

Established Studio and Luminist Style

After establishing his studio in New York, Kensett extensively traveled throughout the Northeast and Colorado Rockies, capturing the essence of these landscapes. His style evolved from traditional Hudson River School to a more refined Luminist approach, characterized by unselfconscious brushstrokes conveying qualities of atmospheric light.

• Mount Washington from the Valley of Conway (1851), an iconic painting, was purchased by the American Art Union and distributed to 13,000 subscribers.
• Eaton's Neck, Long Island (1872), a prime example of Kensett's Luminist style, is now in the collection of The Metropolitan Museum of Art in New York.

Legacy and Contributions

Kensett was a founder of The Metropolitan Museum of Art and a full member of the National Academy of Design. His work, widely acclaimed during his lifetime, continues to influence landscape painting. Key Works:

• Sunset Sky (ca. 1870), The Metropolitan Museum of Art, New York
• Three Mile Harbor (ca. 1860), Museum of Fine Arts, Tallahassee

Associated Artists:

• Thomas Cole
• Benjamin Champney

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