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Purchase Oil Painting Replica The King, 1937 by Max Beckmann (1884-1950, Germany) | ArtsDot.com

The King

From just 49 USD From just 149 USD
Max Beckmann's The King, created in 1937, is a captivating oil on canvas painting that embodies the essence of Expressionism. This artwork, measuring 135 x 100 cm, is currently housed at the Saint Louis Art Museum in the United States.

Artistic Evolution and Inspiration

Beckmann worked tirelessly on The King, submitting it to the Carnegie International exhibition in San Francisco from 1934-35. Although it did not win a prize, this setback prompted him to make significant changes before finally signing the piece in Amsterdam in 1937. The painting's history is crucial as some critics have interpreted it as an allusion to the "despot" of the time, suggesting it was Beckmann's first work created in exile. However, the resemblance between the king and Beckmann himself negates any direct reference to a specific tyrant. Instead, the artwork delves into the inner drama of a proud, powerful, yet benign individual.

Composition and Symbolism

The painting features a man wearing a crown, seated with a child on his lap, accompanied by two other figures in the background. All three individuals are dressed in pink attire, creating a sense of unity and togetherness. A dog is prominently positioned near the center of the image, while a chair is visible in the background, adding depth to the composition. The king's features bear a striking resemblance to Beckmann's own, although it was not intended as a formal self-portrait. The distinctive collar with triangular flaps, often associated with clown and harlequin costumes, suggests that the ominous scene might be part of a play. This blend of reality and theatricality is characteristic of Beckmann's unique style.

Expressionism and Artistic Legacy

Max Beckmann was a prominent figure in the Expressionist movement, known for his ability to convey intense emotions through his art. The King exemplifies this by capturing the inner turmoil and dignity of its subject. Beckmann's work is a testament to the power of Expressionism in exploring the human experience. For those interested in learning more about Max Beckmann and his contributions to Expressionism, visit https://ArtsDot.com/@@/Max-Beckmann for a comprehensive overview of his life and works. Additionally, explore the detailed page on "The King" to delve deeper into the painting's history and significance.

Conclusion

The King by Max Beckmann is a masterpiece that encapsulates the essence of Expressionism, blending reality with theatrical elements. Its rich history and symbolism make it a compelling piece for art enthusiasts and scholars alike. As part of the Saint Louis Art Museum's collection, this painting continues to inspire and intrigue audiences. For those who appreciate the beauty of handmade oil paintings, ArtsDot offers high-quality reproductions of Beckmann's works, including The King. Visit https://ArtsDot.com to explore their extensive collection and bring a piece of art history into your home.
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Max Beckmann

Early Life and Artistic Development

Max Beckmann, a renowned German painter, draftsman, printmaker, sculptor, and writer, was born on February 12, 1884, in Leipzig, Saxony. His artistic journey began with academically correct depictions, which later transformed into distorted figures and spaces, reflecting his altered vision of humanity after serving as a medical orderly in World War I.

Artistic Style and Influences

Beckmann's style, rooted in the imagery of medieval stained glass, was influenced by various artists, including Cézanne, Van Gogh, Blake, Rembrandt, and Rubens. He also drew inspiration from Northern European artists of the late Middle Ages and early Renaissance, such as Bosch, Bruegel, and Matthias Grünewald.

Notable Works and Exhibitions

* The Bark (acquired by the National Gallery in Berlin) * Self-Portrait in Tuxedo (purchased in 1928) * Retrospectives at the Städtische Kunsthalle Mannheim (1928) and in Basle and Zurich (1930)

Later Life and Exile

Beckmann's fortunes changed with the rise of Adolf Hitler, leading to his dismissal from the Art School in Frankfurt and the confiscation of over 500 of his works. He lived in self-imposed exile in Amsterdam for ten years, failing to obtain a visa for the United States.

Legacy

* Taught at the art schools of Washington University in St. Louis and the Brooklyn Museum * First retrospective in the United States took place in 1948 at the City Art Museum, Saint Louis * Max-Slevogt Galerie, Germany, features a collection of his works Key Dates: * Born: February 12, 1884 * Died: December 27, 1950

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