English Français Deutsch Italiano Español Русский 中国 Português 日本

FAVORITES MY CART

Buy Museum Art Reproductions The Baptism of Christ, 1475 by Andrea Del Verrocchio (1435-1488, Italy) | ArtsDot.com

Gustave Courbet Birthday, 20% off sitewide! Valid:10/06/2025

FREE Shipping. All the time. See details.

The Baptism of Christ

From just 49 USD From just 149 USD
The Baptism of Christ is a renowned painting by the Italian artist Andrea Del Verrocchio, created in 1475. This early Renaissance masterpiece is a testament to Verrocchio's skill and artistry, showcasing his ability to capture the essence of a pivotal moment in Christian history. The painting measures 177 x 151 cm and is executed in oil on panel.

Composition and Style

The Baptism of Christ depicts the scene of Jesus being baptized by John the Baptist in the Jordan River. The composition is characterized by a sense of serenity and reverence, with the figures of Jesus and John the Baptist at the center. Verrocchio's use of light and shadow creates a sense of depth and volume, drawing the viewer's eye to the central figures. The painting's style is reminiscent of the early Renaissance, with its emphasis on realism and humanism.

Artistic Significance

The Baptism of Christ is significant not only for its artistic merit but also for its historical importance. It is one of the earliest paintings to depict this scene, and its influence can be seen in later works by artists such as Leonardo da Vinci. Da Vinci, who was a student of Verrocchio's, would go on to create his own masterpieces, including the famous Mona Lisa. The Baptism of Christ can be seen as a precursor to these later works, showcasing Verrocchio's innovative use of light and composition. Light in painting plays a crucial role in the Baptism of Christ, with Verrocchio's use of chiaroscuro creating a sense of drama and tension. This technique, which uses strong contrasts between light and dark, was a hallmark of early Renaissance art. The Baptism of Christ is a prime example of this style, with its use of light and shadow creating a sense of depth and volume.
The Baptism of Christ is a masterpiece of early Renaissance art, showcasing Verrocchio's skill and artistry. Its significance extends beyond its artistic merit, with its influence visible in later works by artists such as Leonardo da Vinci. As a testament to the power of art to capture the human experience, the Baptism of Christ remains an important work, continuing to inspire and awe audiences today.
Open full description

Andrea Del Verrocchio

Andrea del Verrocchio is considered an early work of 1468-70.
A painting in the National Gallery in London (cat. no.NG2508) of the Virgin and Child with two angels in tempera on panel, which had not previously been attributed to Verrocchio, was cleaned and restored about 2010 and is now attributed to him with a date of about 1467-69.
A small painting on panel of Tobias setting out on his journey with the Archangel Raphael, carrying the fish with which he was to heal his father's blindness, was probably painted as a private devotional picture. It is an early work which has formerly been attributed to Pollaiuolo and other artists. Covi thinks that it was probably painted with assistance from Ghirlandaio. It is now in London at the National Gallery.
The Baptism of Christ, now in the Uffizi Gallery at Florence, was painted in 1474–75. In this work Verrocchio was assisted by Leonardo da Vinci, then a youth and a member of his workshop, who painted the angel on the left and the part of the background above. According to Vasari, Andrea resolved never to touch the brush again because Leonardo, his pupil, had far surpassed him, but later critics consider this story apocryphal.
The Madonna enthroned with John the Baptist and St Donato is in the Pistoia Cathedral. It had been left unfinished and was completed by Lorenzo di Credi when Verrocchio was in Venice near the end of his life.
Around 1465 he is believed to have worked on the lavabo of the Old Sacristy in San Lorenzo, Florence.
Between 1465 and 1467 he executed the funerary monument Cosimo de' Medici for the crypt under the altar of the same church, and in 1472 he completed the monument to Piero and Giovanni de' Medici in the Old Sacristy.
In 1467 the Tribunale della Mercanzia, the judicial organ of the Guilds in Florence, commissioned from Verrocchio a bronze group portraying Christ and St. Thomas for the centre tabernacle, which the Tribunale had recently purchased, on the east facade of Orsanmichele to replace a statue of St. Louis of Toulouse, which had been removed. He therefore had the problem of placing two statues (more than life size) in a tabernacle originally intended for one. As Covi says, the problem was resolved "in a most felicitous manner". The work was placed in position in 1483 and "has been acclaimed since the day of its unveiling and almost without exception recognised as a masterpiece."
In 1468 Verrocchio made a bronze candlestick (1.57 metres high), now in the Rijksmuseum, Amsterdam, for the Signoria of Florence.

More...

-