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Get Art Reproductions The City, 1919 by Fernand Leger (Inspired By) (1881-1955, France) | ArtsDot.com

The City



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Fernand Leger was a French painter and sculptor, renowned for his unique style of Cubism. One of his most memorable paintings in this style is The City, also known as La Ville in its original French title. Completed in 1919, this large painting measures 230 x 297 cm and can now be found in the collection of the Philadelphia Museum of Art.

Style and Analysis

The City is a Cubist cityscape that captures the busy nature of urban life. The tall tower blocks, sections of a bridge, advertising hoardings, and individual figures looking out of their windows are all elements that can be identified in the scene. Leger's original approach to Cubism perfectly conveys the disorienting presence of modern city life. The style of The City is characterized by cylindrical forms, which was coined as 'Tubism' by the art critic Louis Vauxcelles in 1911.

Key Features of the Painting

  • The use of geometric shapes and bold colors to depict urban life
  • The emphasis on cylindrical forms, characteristic of Tubism
  • The sense of dynamism and energy conveyed through the composition
To learn more about this painting, visit The City by Fernand Leger on ArtsDot.com. For further information on Tubism and its influence, refer to Tubism Art Movement.
Fernand Leger developed this style in his paintings of 1909-1919, and The City is one of its finest examples. The painting is a testament to Leger's ability to capture the essence of urban life in his unique style. Explore other works by Fernand Leger at https://ArtsDot.com, including A Disc in the City and Animated Landscape.
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Fernand Leger

Fernand Léger: A Pioneer of Cubism and Pop Art

Artist: Fernand Léger, a French painter, sculptor, and filmmaker, left an indelible mark on the art world with his unique style that blended cubism with vibrant colors and bold shapes. Born in Argentan, Orne, Lower Normandy, France, in 1881, Léger's artistic journey is a fascinating tale of innovation and adaptation.

Early Years and the Emergence of Tubism

Initially, Léger trained as an architect from 1897 to 1899, before moving to Paris in 1900. His early work, influenced by impressionism, can be seen in Le Jardin de ma mère (My Mother's Garden), a painting from 1905 that he fortunately did not destroy. After attending the School of Decorative Arts and studying at the Académie Julian, Léger began to work seriously as a painter at the age of 25.

The Rise of Tubism and Cubism

In 1909, Léger moved to Montparnasse, where he met influential artists like Alexander Archipenko, Jacques Lipchitz, Marc Chagall, Joseph Csaky, and Robert Delaunay. His major painting Nudes in the Forest (1910) showcased his personal form of cubism, which critics termed "Tubism" for its emphasis on cylindrical forms.

World War I and the Mechanical Period

Léger's experiences in World War I significantly impacted his work. During his time at the front in Argonne, he produced numerous sketches and paintings, including Soldier with a Pipe (1916). The The Card Players (1917), painted during convalescence, marked the beginning of his "mechanical period," characterized by robot-like figures reflecting his war experience.

Legacy and Influence

Léger's boldly simplified treatment of modern subject matter has led to him being regarded as a forerunner of pop art. His unique style, blending cubism with vibrant colors and bold shapes, continues to inspire artists worldwide. Experience the innovative spirit of Fernand Léger's art, a true pioneer in the world of cubism and pop art.

Early Life and Training

Fernand Léger, a French painter, sculptor, and filmmaker, was born on February 4, 1881, in Argentan, Orne, Lower Normandy. His father raised cattle, and Léger initially trained as an architect from 1897 to 1899. He then moved to Paris in 1900, supporting himself as an architectural draftsman.

Artistic Development

Léger's early work was influenced by Impressionism, as seen in Le Jardin de ma mère (My Mother's Garden) (1905). After attending the School of Decorative Arts and the Académie Julian, he began to work seriously as a painter at 25. His style evolved into a personal form of Cubism, which critics termed "Tubism" for its emphasis on cylindrical forms.

Cubism and the Puteaux Group

In 1910, Léger exhibited at the Salon d'Autumn in the same room as Jean Metzinger and Henri Le Fauconnier. He joined the Puteaux Group, also known as the Section d'Or (The Golden Section), along with other artists like Francis Picabia and Marcel Duchamp.

War and its Influence on Léger's Work

Léger's experiences in World War I significantly impacted his work. During his time at the front, he produced sketches of artillery pieces, airplanes, and fellow soldiers. His painting Soldier with a Pipe (1916) reflects this period.

Later Work and Legacy

Léger's post-war work, characterized by sleek, machine-like forms, linked him to the tradition of French figurative painting. His paysages animés (animated landscapes) of 1921 showcased figures and animals in harmonious, streamlined forms. Key Works: Museums featuring Léger's Work:

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