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Get Art Reproductions Angel, 1525 by Georg Pencz (1500-1550, Germany) | ArtsDot.com

Angel

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The Angel painting by Georg Pencz is a masterpiece of the Northern Renaissance period, created in 1525. This beautiful artwork is a testament to the artist's skill and attention to detail. The painting measures 50 x 17 cm and is made of wood, currently housed in the Wallraf-Richartz-Museum in Cologne, Germany.

Artistic Style and Influences

Georg Pencz was a German painter, engraver, and draftsman who was heavily influenced by the Italian Renaissance. His work is characterized by intricate details and vibrant colors. The Angel painting showcases his ability to capture the subtleties of light and shadow, creating a sense of depth and dimensionality.

Symbolism and Meaning

The Angel painting is rich in symbolism, with the angel representing purity and innocence. The flower or plant held by the angel may symbolize hope and renewal. The painting's meaning can be interpreted in various ways, making it a thought-provoking piece that invites viewers to reflect on their own beliefs and values.
  • The Angel painting is a prime example of Georg Pencz's skill as a painter and his ability to create intricate, detailed works of art.
  • The painting's symbolism and meaning make it a fascinating piece that continues to inspire and captivate audiences today.
  • For those interested in learning more about Georg Pencz and his work, visit https://en.ArtsDot.com/@/Georg-Pencz to explore his artworks and read about his life and career.
  • Additionally, the Wallraf-Richartz-Museum website provides more information about the painting and its history, as well as other notable works by Georg Pencz.
Handmade oil painting reproductions of the Angel painting are available for purchase on https://en.ArtsDot.com/@@/8XZSZQ-Georg-Pencz-Angel, allowing art lovers to own a piece of history and appreciate the beauty of Georg Pencz's work in their own homes.
For more information about Georg Pencz and his artworks, visit https://en.wikipedia.org/wiki/Georg_Pencz.
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Georg Pencz

Georg Pencz was a German engraver, painter and printmaker.
Pencz was probably born in Westheim near Bad Windsheim/Franconia. He travelled to Nuremberg in 1523 and joined Albrecht Dürer’s atelier. Like Dürer, he visited Italy and was profoundly influenced by Venetian art; it is believed he worked with Marcantonio Raimondi. In 1525, he was imprisoned with the brothers Barthel Beham and Hans Sebald Beham, the so-called "godless painters", for spreading the radical views of Thomas Müntzer by asserting disbelief in baptism, Christ and transubstantiation. The three were pardoned shortly afterwards and became part of the group known as the "Little Masters" because of their tiny, intricate and influential prints.
In Nuremberg, influenced by works he had seen in Italy, Pencz painted a number of trompe l'oeil ceilings in the houses of patrician families; one, for which a drawing survives, showed workmen raising building materials on a hoist, against an open sky, to create the illusion that the room was still under construction.
Around 1539, Pencz briefly returned to Italy, visiting Rome for the first time, returning to Nuremberg in 1540, where he became the city painter and earned his greatest success as a portraitist. As an engraver, he ranks among the best of the German “Little Masters”. Notable prints include Six Triumphs of Petrarch and Life of Christ (26 plates). The best of his paintings are portraits, such as Portrait of a Young Man , Portrait of Marshal Schirmer and Portrait of Erhard Schwetzer and his wife.
In 1550, he was named court painter by Albert, Duke of Prussia, but died in Leipzig before arriving at the court.

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