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Order Artwork Replica View of the dome by Filippo Brunelleschi (1377-1446, Italy) | ArtsDot.com

View of the dome

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"Callot, adventurous from his youth, carried his daring and curiosity into his craft and is responsible for inventive brilliance in the preparation of his etched plates. He was born in Nancy, France; his family planned a life for him in the Church. However, he ran away from home on two occasions while still a youth. The first time (1604) he met a band of gypsies and traveled with them to Florence. His memory of this escapade resulted in a group of etchings done in later years. From Florence he traveled to Rome, where he was recognized by merchants from his home town, and compelled to return to Nancy. A second attempt to escape was successful only as far as Turin, where an older brother found him. About 1608, the family finally accepted defeat and permitted him to leave for Rome to study art.Callot studied in both Rome and Florence under various masters, and learned the craft of etching. But he soon outstripped his teachers and in the course of his lifetime produced some thousand plates, along with over fourteen hundred drawings, which have influenced and inspired many artists since his day. There were many imitators, but Callot's prodigious accomplishment remains unequaled.Typical of Callot's genius is this view of a battle, in which the vantage point of the artist seems far removed from the field of action. The horsemen in the left foreground are clearly depicted, and as the action recedes into the distance, mere scratches on the plate become, by some miracle of craftsmanship, footmen and cavalry engaged in fierce action. With incredible patience Callot draws a walled town at the right, delineates other small towns perched on huge rocks, and creates plains, mountains, and rivers that move into the far distance. It has been estimated that Callot crowded a thousand figures into compositions of this size. In this magic of suggestion he remains unsurpassed.Suggested listening (streaming mp3, 12 minutes):Heinrich Ignaz Franz von Biber: The Battle, suite"
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Filippo Brunelleschi

Filippo Brunelleschi, an Italian designer and key figure in architecture, is recognized as the first modern engineer, planner, and sole construction supervisor. He was one of the founding fathers of the Renaissance, known for developing a technique for linear perspective that revolutionized art and architecture.

Early Life and Training

Born in Florence, Italy in 1377, Brunelleschi received a literary and mathematical education to enable him to follow his father's career. However, being artistically inclined, Filippo was apprenticed at the Arte della Seta, the wool merchants' guild, where he became a master goldsmith and sculptor working with cast bronze.

Sculpture and Competition for the Florence Baptistry Doors

Brunelleschi's earliest surviving sculptures are two small bronze statues of evangelists and saints (1399–1400) made for the altar of the Crucifix Chapel Pistoia Cathedral. He paused this project in 1400, when he was chosen to serve two representative councils of the Florentine government. Around the end of 1400, the city of Florence decided to create new sculpted and gilded bronze doors for the Florence Baptistery. A competition was held in 1401 for the design, which drew seven competitors, including Brunelleschi and another young sculptor, Lorenzo Ghiberti.
  • Each sculptor had to produce a single bronze panel, depicting the Sacrifice of Isaac within a Gothic four-leaf frame.
  • The panels each contained Abraham, Isaac, an angel, and other figures imagined by the artists, and had to harmonize in style with the existing doors.

Rediscovery of Antiquity and Later Works

During the Early Renaissance, there was a growing interest in ancient Greek and Roman art. Brunelleschi visited Rome, almost certainly accompanied by his younger friend, the sculptor Donatello, to study its ancient ruins. He is most famous for designing the dome of the Florence Cathedral and for the mathematical technique of linear perspective in art. Key aspects of Brunelleschi's work include: * His accomplishments in architecture, sculpture, mathematics, engineering, and ship design * The development of a new way of thinking about humankind and the world around it, based on local culture and humanism * The influence of his work on the rise of modern science Some of his notable works can be found at https://WahooArt.com, including View of the Dome and View of the Interior. For more information on Filippo Brunelleschi, visit https://en.wikipedia.org/wiki/Filippo_Brunelleschi.

Legacy

Filippo Brunelleschi's legacy extends beyond his architectural and artistic accomplishments. He is recognized as a key figure in the Renaissance, and his work has had a lasting impact on the development of modern art, architecture, and science. His innovative techniques and designs continue to inspire artists and architects today, making him a true pioneer in the world of art and design.

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