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Purchase Oil Painting Replica Duke of Hamilton, 1629 by Daniel I Mijtens (1590-1648, Netherlands) | ArtsDot.com

Duke of Hamilton

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The Duke of Hamilton is a stunning portrait painting created by the renowned Dutch artist Daniel I Mijtens in 1629. This magnificent work of art is a testament to the artist's exceptional skill and attention to detail, showcasing his ability to capture the essence of his subjects with remarkable accuracy.

The Painting's History and Significance

The Duke of Hamilton is housed at the Scottish National Portrait Gallery in Edinburgh, United Kingdom. This painting is one of the most notable works by Daniel I Mijtens, who was a prominent portrait painter in England during the 17th century. The subject of the painting is James Hamilton, the 1st Duke of Hamilton, who was a Scottish nobleman and a key figure in the royal court. Key Features of the Painting The Duke of Hamilton is characterized by its:
  • Realistic and detailed depiction of the subject's facial features and attire
  • Use of rich colors and textures to create a sense of depth and dimensionality
  • Confident and assertive pose, conveying the subject's status and authority

Artist's Style and Influence

Daniel I Mijtens' style is marked by his ability to blend realism with a sense of elegance and refinement. His work had a significant influence on the development of portrait painting in England, and he is often credited with introducing a new level of naturalism and sophistication to the genre. For more information on Daniel I Mijtens and his works, visit https://ArtsDot.com/@@/8Y3DRP-Daniel-I-Mijtens-Duke-of-Hamilton or https://en.wikipedia.org/wiki/Dani%C3%ABl_Mijtens.
The Duke of Hamilton is a remarkable example of Daniel I Mijtens' skill and artistry, and it continues to be admired and studied by art lovers and historians today. As a masterpiece of portrait painting, it offers a fascinating glimpse into the life and times of one of Scotland's most prominent historical figures.
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Daniel I Mijtens

Daniël Mijtens (c. 1590 – 1647/48), known in England as Daniel Mytens the Elder, was a Dutch portrait painter who spent the central years of his career working in England.
He was born in Delft into a family of artists and trained in The Hague, possibly in the studio of Van Mierevelt. He was the nephew of the painter Aert Mijtens, the older brother of the painter Isaac Mijtens, and the father of the painter Daniel Mijtens the Younger. No known work survives from his first Dutch period.
By 1618, he had moved to London, where his initial patron was the leading art collector Thomas Howard, 21st Earl of Arundel. Mijtens painted the Earl and his Countess, and was soon commissioned to paint King James I and his son Charles, Prince of Wales. In 1625 he became painter to Charles I.
After the prince's accession to the throne as Charles I in 1625 Mijtens produced such a large number of full-length portraits of Charles I and his courtiers, including duplicates, that it is assumed that he had workshop assistance. Two of his finest portraits are of the same man, James Hamilton later 1st Duke of Hamilton, whom he painted as a seventeen-year-old in 1623 and again in 1629. Mijtens made visits to the Netherlands in 1626 and 1630, perhaps to study the latest developments in his field, more particularly the works of Rubens and Van Dyck.
Mijtens introduced a new naturalism into the English court portrait, and influenced Abraham van Blyenberch, but after the arrival in England of the far more distinguished Anthony van Dyck in 1632 he was superseded as the leading court portraitist. Van Dyck demonstrated his superiority over Mytens by painting a portrait of the King and Queen, based on Mytens original, but better executed. Around 1634 Mytens appears to have returned to the Netherlands permanently. He subsequently worked primarily as an art dealer in The Hague, acquiring works for the Earl of Arundel among others. Only four paintings survive from this final period. He died in The Hague.
Some of Mijtens' works are still owned by the Royal Family. Mijtens also made copies of old portraits of royal sitters, including; James IV of Scotland, his wife Margaret Tudor, and Mary, Queen of Scots. He also made a copy of a Venus by Titian for £120 in 1625.

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