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Order Artwork Replica Landscape with a Pond by Patrick Nasmyth (1787-1831, United Kingdom) | ArtsDot.com

Landscape with a Pond

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Unlike other Italian cities such as Florence and Mantua, there are relatively few surviving examples of fifteenth-century portraiture in Siena - a genre that was becoming popular elsewhere. The painting of a young woman, now in the National Gallery of Art in Washington, is one that does survive. It is still in a frame that is probably original. The identity of the sitter is unknown but the treatment of the subject is typical of portraits of young women at that date. Adopting a convention derived from Flemish portraiture, it shows her head and shoulders as if from relatively close quarters. Her physical proximity is enhanced by the distant view of a lake or river in the background and the feathery trees that frame her head. The viewer is thus encouraged to examine the features of the young woman in some detail and enjoy the texture and colour of her abundant golden hair and pale skin, the embroidery of her gown and the ropes of pearls and gems round her neck.The inscription on the lower edge of the painting where the letters OP and NER appear - is interpreted as an abbreviation of 'OPUS NEROCCIO' (the work of Neroccio). The Latin inscription is a testimony to the sitter's beauty.Reading the two letters in the lower left corner as AP (instead of OP) some critics assume that the sitter is Alessandra Piccolomini, the grandniece of Pope Pius II, AP being her initials.
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Patrick Nasmyth

Patrick Nasmyth, (7 January 1787 – 17 August 1831), was a Scottish landscape painter. He was the eldest son of the artist Alexander Nasmyth.
Nasmyth was one of the eleven children of Barbara and Alexander Nasmyth of Edinburgh. His six sisters—Jane, Barbara, Margaret, Elizabeth, Anne, and Charlotte—were notable artists whilst his younger brother, James, was a prominent engineer who invented the steam hammer. Nasmyth was born in Edinburgh and was named after his father's patron, Patrick Miller. He developed an affinity for art at an early age. He and his siblings were all given art lessons. His father was keen to see that they were independent. As a teenager Nasmyth lost the use of his right hand following an accident, forcing him to learn how to paint with his left. He also lost most of his hearing through illness.
Much of Nasmyth's work, a great deal of which is undated, depicts his native Scotland, which he continued to paint even after moving to London in 1810. Like his father, he was heavily influenced by the Dutch masters of the 17th century, particularly Meindert Hobbema and Jacob van Ruysdael (a large number of works by both men were displayed in London galleries during Nasmyth's lifetime).
Nasmyth died of pneumonia-like symptoms, which he contracted shortly after painting a scene just outside London.

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