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Order Artwork Replica St Jerome, 1465 by Andrea Del Verrocchio (1435-1488, Italy) | ArtsDot.com

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St Jerome

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The painting St Jerome by Andrea Del Verrocchio is a masterpiece of the Renaissance period, showcasing the artist's skill and devotion to his craft. Created in 1465, this oil on wood painting measures 41 x 27 cm and is housed at the Galleria Palatina in Italy. The subject matter is religious, portraying St Jerome, known for translating the Bible into Latin.

The Artist's Technique

Andrea Del Verrocchio was a renowned Italian artist, and his workshop was a training ground for many significant artists, including Leonardo da Vinci. The painting St Jerome is an example of the artistic techniques of Renaissance-era Florentine workshops, where drawing and brush strokes were essential tools for representing real life and developing compositions. The use of light in the painting is particularly noteworthy, with the figure's face and upper body illuminated from the left side, casting shadows on the right.

Key Features of the Painting

The painting St Jerome has several key features that make it a captivating work of art. These include:
  • The masterful depiction of the head and neck, which is in contrast to the chest
  • The use of oil on wood as the medium, which was common during the Renaissance period
  • The painting's size, which measures 41 x 27 cm, making it a relatively small but detailed work
The Galleria Palatina is a museum located within the Palazzo Pitti in Florence, Italy, and it houses an impressive collection of artworks, including the painting St Jerome by Andrea Del Verrocchio.
For more information on Andrea Del Verrocchio and his works, visit ArtsDot.com, which offers handmade oil painting reproductions of famous artworks, including those by Andrea Del Verrocchio. You can also find more information on Wikipedia about the Galleria Palatina and its collection of artworks.
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Andrea Del Verrocchio

Andrea del Verrocchio is considered an early work of 1468-70.
A painting in the National Gallery in London (cat. no.NG2508) of the Virgin and Child with two angels in tempera on panel, which had not previously been attributed to Verrocchio, was cleaned and restored about 2010 and is now attributed to him with a date of about 1467-69.
A small painting on panel of Tobias setting out on his journey with the Archangel Raphael, carrying the fish with which he was to heal his father's blindness, was probably painted as a private devotional picture. It is an early work which has formerly been attributed to Pollaiuolo and other artists. Covi thinks that it was probably painted with assistance from Ghirlandaio. It is now in London at the National Gallery.
The Baptism of Christ, now in the Uffizi Gallery at Florence, was painted in 1474–75. In this work Verrocchio was assisted by Leonardo da Vinci, then a youth and a member of his workshop, who painted the angel on the left and the part of the background above. According to Vasari, Andrea resolved never to touch the brush again because Leonardo, his pupil, had far surpassed him, but later critics consider this story apocryphal.
The Madonna enthroned with John the Baptist and St Donato is in the Pistoia Cathedral. It had been left unfinished and was completed by Lorenzo di Credi when Verrocchio was in Venice near the end of his life.
Around 1465 he is believed to have worked on the lavabo of the Old Sacristy in San Lorenzo, Florence.
Between 1465 and 1467 he executed the funerary monument Cosimo de' Medici for the crypt under the altar of the same church, and in 1472 he completed the monument to Piero and Giovanni de' Medici in the Old Sacristy.
In 1467 the Tribunale della Mercanzia, the judicial organ of the Guilds in Florence, commissioned from Verrocchio a bronze group portraying Christ and St. Thomas for the centre tabernacle, which the Tribunale had recently purchased, on the east facade of Orsanmichele to replace a statue of St. Louis of Toulouse, which had been removed. He therefore had the problem of placing two statues (more than life size) in a tabernacle originally intended for one. As Covi says, the problem was resolved "in a most felicitous manner". The work was placed in position in 1483 and "has been acclaimed since the day of its unveiling and almost without exception recognised as a masterpiece."
In 1468 Verrocchio made a bronze candlestick (1.57 metres high), now in the Rijksmuseum, Amsterdam, for the Signoria of Florence.

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