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Order Artwork Replica Polyptych, 1464 by Bartolomeo Vivarini (1440-1499, Italy) | ArtsDot.com

Polyptych

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The Polyptych by Bartolomeo Vivarini is a stunning example of Renaissance art, showcasing the artist's skill and attention to detail. Created in 1464, this tempera on panel work measures 132 x 41 cm and is housed at the Gallerie dell'Accademia in Venice, Italy. The painting is divided into five panels, each featuring a different figure, all depicted in a style characteristic of the late Gothic period.

Composition and Style

The composition of the Polyptych is typical of Renaissance art, with a central panel featuring a female figure, likely representing the Virgin Mary, surrounded by four other panels depicting male figures. The use of perspective and human anatomy is evident in the painting, demonstrating the artist's mastery of these techniques. The colors used are rich and varied, with a predominance of gold and blue, which adds to the overall visual impact of the work.

Other Works by Bartolomeo Vivarini

Bartolomeo Vivarini was a prolific artist, and his other works include the Conversano Polyptych and the St Ambrose Polyptych. These works demonstrate the artist's skill and devotion to his craft, and are considered some of the finest examples of Renaissance art.
The Polyptych by Bartolomeo Vivarini is a masterpiece of Renaissance art, and its beauty and significance can be appreciated by art lovers around the world. For those interested in learning more about this artist and his works, Bartolomeo Vivarini is a great resource. Additionally, the Zichy Museum in Hungary is worth visiting for its impressive collection of art and artifacts, including works by Mihály von Zichy.
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Bartolomeo Vivarini

Bartolomeo or Bartolommeo Vivarini was an Italian Renaissance painter, known to have worked from 1450 to 1499.
Bartolomeo's brother Antonio Vivarini, and his nephew (also possibly his pupil) Alvise Vivarini, were also painters.
He learned oil painting from Antonello da Messina, and is said to have produced, in 1473, the first oil picture done in Venice. Housed in the basilica of San Zanipolo, it is a large altar-piece in nine divisions, representing Augustine and other saints.
Most of his works, however, are in tempera. His outline is always hard, and his colour good; the figures have much dignified and devout expression. As "vivarino" means in Italian a goldfinch, he sometimes drew a goldfinch as the signature of his pictures. The Getty Museum, Harvard University Art Museums, the Honolulu Museum of Art, the Louvre, the Museum of Fine Arts, Boston, the National Gallery of Art (Washington D.C.), the National Gallery, London, the New Orleans Museum of Art, the Philadelphia Museum of Art, Pinacoteca Ambrosiana (Milan), Pinacoteca Nazionale di Bologna, Pinacoteca Provinciale di Bari, the Rijksmuseum and the Uffizi are among the public collections holding works by Bartolomeo Vivarini.
Christ Enthroned by Bartolomeo Vivarini, 1450
Madonna in trono, painting by Bartolomeo Vivarini
Polyptych of San Zanipolo 1473
Conversano Polyptych, 1475

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