The Wierix family, sometimes seen in alternative spellings such as Wiericx, were a Flemish family of artists who distinguished themselves as printmakers and draughtsmen in the late 16th and early 17th centuries. They were active in Antwerp and Brussels.
The first generation of engravers consisted of the three sons of the little-known painter and cabinet maker Anton Wierix I :
Anton II's son, Anton III Wierix and were still being reprinted in the 18th century. They were intended as models of faithful depictions of the incidents of the Gospels, and partly as a Counter Reformation riposte to Protestant criticisms of Catholic iconographical tradition. The apparent setting of most interior scenes in a wealthy Antwerp merchant's house does not contribute to the desired effect in modern eyes. Among copies was a version made by Jesuit missionaries in China in woodblock print form, and editions presented to the Emperors of Ethiopia had a considerable influence on the iconography of local artists. Further work for the Jesuits followed. Hieronymus in particular came to specialize in small religious scenes.

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