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Buy Museum Art Reproductions The nave of the church by Filippo Brunelleschi (1377-1446, Italy) | ArtsDot.com

The nave of the church

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"Francesco Camilliani's most notable work is the Renaissance fountain in the Piazza Pretoria in Palermo, the Fontana Pretoria. This piece was originally commissioned for the garden of the villa outside Florenceof the viceroy Don Pedro Álvarez de Toledo; it was completed in 1555. Camilliani was aided in the grand project by the garzoni of his studio, including the Florentine Michelangelo Naccherino (1550-1622), or Vagherino Fiorentino. In its original site, Giorgio Vasari called it a ""most stupendous fountain that has not its peer in Florence or perhaps in Italy."" Under pressure to make economies in his style of living, and perhaps with reservations about the completed fountain's crowd of ignudi, in January 1573 Don Pedro's son, Don Luigi, permitted it to be bought by the Senate of Palermo, through the intervention of his brother Don Garçia, the former viceroy and Governor of Palermo. It was dismantled into six hundred and forty-four pieces and transported to Palermo, and set up there by Camillo Camilliani, who had to concentrate its elements in the more constricted urban space, and to oversee some additions to render it more suitable for Sicily, which included a Venus by Antonio Gagini. Re-erection at Palermo was complete in 1584.The sculpture of the fountain depicts fables, monsters, and nymphs all spraying jets of water, which also falls and cascades between them. Once locally known as the Fontana della Vergogna, the ""fountain of shame”, because of the nude statues that stand around the base of each tier, it is one of the few true pieces of High Renaissance art in Palermo."
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Filippo Brunelleschi

Filippo Brunelleschi, an Italian designer and key figure in architecture, is recognized as the first modern engineer, planner, and sole construction supervisor. He was one of the founding fathers of the Renaissance, known for developing a technique for linear perspective that revolutionized art and architecture.

Early Life and Training

Born in Florence, Italy in 1377, Brunelleschi received a literary and mathematical education to enable him to follow his father's career. However, being artistically inclined, Filippo was apprenticed at the Arte della Seta, the wool merchants' guild, where he became a master goldsmith and sculptor working with cast bronze.

Sculpture and Competition for the Florence Baptistry Doors

Brunelleschi's earliest surviving sculptures are two small bronze statues of evangelists and saints (1399–1400) made for the altar of the Crucifix Chapel Pistoia Cathedral. He paused this project in 1400, when he was chosen to serve two representative councils of the Florentine government. Around the end of 1400, the city of Florence decided to create new sculpted and gilded bronze doors for the Florence Baptistery. A competition was held in 1401 for the design, which drew seven competitors, including Brunelleschi and another young sculptor, Lorenzo Ghiberti.
  • Each sculptor had to produce a single bronze panel, depicting the Sacrifice of Isaac within a Gothic four-leaf frame.
  • The panels each contained Abraham, Isaac, an angel, and other figures imagined by the artists, and had to harmonize in style with the existing doors.

Rediscovery of Antiquity and Later Works

During the Early Renaissance, there was a growing interest in ancient Greek and Roman art. Brunelleschi visited Rome, almost certainly accompanied by his younger friend, the sculptor Donatello, to study its ancient ruins. He is most famous for designing the dome of the Florence Cathedral and for the mathematical technique of linear perspective in art. Key aspects of Brunelleschi's work include: * His accomplishments in architecture, sculpture, mathematics, engineering, and ship design * The development of a new way of thinking about humankind and the world around it, based on local culture and humanism * The influence of his work on the rise of modern science Some of his notable works can be found at https://WahooArt.com, including View of the Dome and View of the Interior. For more information on Filippo Brunelleschi, visit https://en.wikipedia.org/wiki/Filippo_Brunelleschi.

Legacy

Filippo Brunelleschi's legacy extends beyond his architectural and artistic accomplishments. He is recognized as a key figure in the Renaissance, and his work has had a lasting impact on the development of modern art, architecture, and science. His innovative techniques and designs continue to inspire artists and architects today, making him a true pioneer in the world of art and design.

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