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Get Art Reproductions Mother and Son, 1917 by Carlo Carrà (Inspired By) (1881-1966, Italy) | ArtsDot.com

Mother and Son



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The painting "Mother and Son" by Carlo Carrà is a masterpiece of early 20th-century Italian art, showcasing the artist's unique style and emotional depth. Created in 1917, this oil on panel piece measures 87 x 58 cm and is currently housed at the Pinacoteca di Brera in Milan, Italy.

Artistic Style and Influences

Carlo Carrà's work was heavily influenced by the avant-garde movements of his time, including Futurism and Metaphysical art. "Mother and Son" reflects this influence, with its use of bold lines, vibrant colors, and a sense of tension between the figures. The painting's composition is characterized by a sense of intimacy and emotional connection between the mother and son, which is a hallmark of Carrà's style. Key Elements of the painting include the use of symbolism, such as the clock on the wall, which represents the passing of time. The sports ball in the room adds a sense of playfulness and energy to the scene.

Comparison with Other Works

In comparison to other works by Italian artists, such as Filippo De Pisis's "Still life with Mushrooms" or Mario Sironi's "The Man and the Mountain", "Mother and Son" stands out for its emotional intensity and psychological complexity. Handmade oil painting reproductions of "Mother and Son" are available at ArtsDot.com, allowing art lovers to own a piece of history.
The Pinacoteca di Brera is one of Italy's most prestigious art galleries, housing an impressive collection of Italian art from the 14th to the 20th centuries.
For more information on Carlo Carrà and his works, visit ArtsDot.com or Wikipedia.
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Carlo Carrà

Early Life and Career

Carlo Carrà, a renowned Italian painter, was born on February 11, 1881, in Quargnento, near Alessandria (Piedmont). At the age of 12, he left home to work as a mural decorator. This early exposure to art would shape his future career.

Artistic Evolution

In 1899-1900, Carrà was in Paris, decorating pavilions at the Exposition Universelle, where he became acquainted with contemporary French art. He then spent a few months in London, interacting with exiled Italian anarchists, and returned to Milan in 1901. In 1906, he enrolled at Brera Academy (Accademia di Brera) under Cesare Tallone.

Futurist Movement

In 1910, Carrà signed the Manifesto of Futurist Painters, alongside Umberto Boccioni, Luigi Russolo, and Giacomo Balla. This marked the beginning of his influential Futurist phase, characterized by dynamism, speed, technology, youth, violence, and industrial objects.

Metaphysical and Archaic Periods

By 1917, Carrà's style began to incorporate mannequin imagery, influenced by Giorgio de Chirico. His work The Daughters of Lot (1919) exemplifies this new direction. In the 1920s and 1930s, he focused on landscape painting, developing a more atmospheric style.

Legacy and Later Life

Carrrà's later work was marked by ultra-nationalist and irredentist views, supporting fascism after 1918. He passed away in Milan on April 13, 1966.

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