The Yellow Christ (in French: Le Christ jaune) is a painting executed by Paul Gauguin in autumn 1889 in Pont-Aven. Together with The Green Christ, it is considered to be one of the key-works of Symbolism in painting.
Gauguin first visited Pont-Aven in 1886. He returned to the village in early 1888 to stay until mid-October, when he left to join Vincent van Gogh in Arles, for little more than two months. Early in 1889, Gauguin was back to Pont-Aven to stay there until spring 1890. It was only for a short visit in summer 1889 to Paris to see the Exposition universelle and to arrange the Volpini Exhibition that Gauguin interrupted this sojourn. Soon after his return to Pont-Aven he painted The Yellow Christ:
The Yellow Christ was painted by Gauguin at Pont Aven in 1889. It is a symbolic piece that shows the crucifixion of Christ taking place in nineteenth century northern France as Breton women are gathered in prayer. Gauguin relies heavily on bold lines to define his figures and reserves shading only for the women. The autumn palette of yellow, red and green in the landscape echoes the dominant yellow in the figure of Christ. The bold outlines and flatness of the forms in this painting are typical of the cloisonnist style.
A study done in pencil of the Yellow Christ is preserved in the Thyssen-Bornemisza Museum, and a sketch in watercolor in the collection Chapman in New York.