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Depending on whom you ask, Andrew Wyeth is either one of America’s greatest artists or a master of kitsch, and Christina’s World—a portrait of Christina Olsen, Wyeth’s disabled neighbor in Maine—is a tour de force of realist painting or an exercise in glib sentimentality. Either way, Wyeth stubbornly bucked the avant-garde tastes of his day, which helped cement him as a renegade.