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Buy Museum Art Reproductions Blue wave maine, 1926 by Georgia Totto O'keeffe (Inspired By) (1887-1986, United States) | ArtsDot.com

Blue wave maine



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Excerpts from the essays written for O'Keeffe's 1927 exhibition which featured Blue Wave Maine (1926), reveal the extent to which this ideology permeated O'Keeffe's work. Oscar Bluemner wrote lyrically of O'Keeffe: "All nature seen as organic living flesh – form transposed into line and color – surface throbbing with pulse – line quivering with intense inner life – color rigorously restricted with corresponding significance." Charles Demuth similarly extolled, "Colour as colour, not as volume, or light, - only as colour.... In her canvases each colour almost regains the fun it must have felt within itself, on forming the first rain-bow." . By the end of the summer, O'Keeffe went to Maine in order to get away from the distractions and resentments associated with Stieglitz's summer home. Although Stieglitz followed, imploring her to return, she stayed at her ocean-side retreat for a month before capitulating to the demands of life. The ocean at York Beach was a world away from the stressful life at Lake George as well as her hectic one in New York. She "loved running down the board walk to the ocean – watching the waves come in, spreading over the hard wet beach – the lighthouse steadily bright far over the waves in the evening when it was almost dark (Full Bloom: The Art and Life of Georgia O'Keeffe, p. 287). Here she painted Blue Wave Maine in which the ocean appears as a reservoir of peace and contemplation, harmony and spirituality. The sublime, ethereal quality of the fluidly swirling hues, a dramatic contrast to the sense of sheer weight of the earlier Lake George picture.
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Georgia Totto O'keeffe

**Early Life and Education (1887–1916)**

Georgia Totto O'Keeffe, a pivotal figure in American modernism, was born on November 15, 1887, in Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers of Irish and Hungarian descent, respectively. By age 10, O'Keeffe had decided to become an artist. She received art instruction from local watercolorist Sara Mann and later attended the School of the Art Institute of Chicago from 1905 to 1906, studying under John Vanderpoel. Her unique style began to develop during her studies at the University of Virginia.

**Artistic Career (1917–1986)**

In 1917, Alfred Stieglitz, an art dealer and photographer, held an exhibit of O'Keeffe's works. This marked the beginning of her professional career. She moved to New York in 1918 at Stieglitz's request and began working seriously as an artist. Their professional relationship blossomed into a personal one, leading to their marriage on December 11, 1924. O'Keeffe's abstract art, including close-ups of flowers like Red Canna, was often interpreted as representing vulvas, though she consistently denied this intention. Her work was also influenced by her time in the Southwest, which inspired paintings like Cow's Skull: Red, White, and Blue (1931) and Summer Days (1936).

**Legacy and Museum**

After Stieglitz's death in 1946, O'Keeffe lived in New Mexico for the next 40 years. In 2014, her 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000, setting a record for the largest price paid for any painting by a female artist. Following her death on March 6, 1986, the Georgia O'Keeffe Museum was established in Santa Fe. Her works are also featured in several museums, including those listed at [https://WahooArt.com/@/Georgia Totto O'keeffe](https://WahooArt.com/@/Georgia Totto O'keeffe). **Key Works:** * Red Canna * Cow's Skull: Red, White, and Blue (1931) * Summer Days (1936) * Jimson Weed/White Flower No. 1 **Museums featuring O'Keeffe's work:** * Georgia O'Keeffe Museum * [https://WahooArt.com/@/Georgia Totto O'keeffe](https://WahooArt.com/@/Georgia Totto O'keeffe)

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