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Buy Museum Art Reproductions Blue wave maine, 1926 by Georgia Totto O'keeffe (Inspired By) (1887-1986, United States) | ArtsDot.com

Blue wave maine



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Georgia Totto O'Keeffe's Blue Wave Maine, painted in 1926, is a masterpiece that embodies the essence of her artistic ideology. This oil on canvas painting measures 51 x 69 cm and is a testament to O'Keeffe's unique style, which blends organic forms with vibrant colors.

The Artistic Ideology Behind Blue Wave Maine

Excerpts from essays written for O'Keeffe's 1927 exhibition, featuring Blue Wave Maine, reveal the extent to which her ideology permeated her work. Oscar Bluemner wrote lyrically of O'Keeffe: "All nature seen as organic living flesh – form transposed into line and color – surface throbbing with pulse – line quivering with intense inner life – color rigorously restricted with corresponding significance." Charles Demuth similarly extolled, "Colour as colour, not as volume, or light, - only as colour.... In her canvases each colour almost regains the fun it must have felt within itself, on forming the first rain-bow."

Context and Inspiration

By the end of summer 1926, O'Keeffe traveled to Maine to escape the distractions and resentments associated with Stieglitz's summer home. Although Stieglitz followed, imploring her to return, she stayed at her ocean-side retreat for a month before capitulating to the demands of life. The ocean at York Beach was a world away from the stressful life at Lake George as well as her hectic one in New York.

Painting Description

The painting features a large blue wave with white foam on top, appearing to crash onto the shore. The sky in the background is a mix of pink and blue hues, creating an overall sense of tranquility as the waves gently roll into the shore. The wave itself has a distinct shape, with a noticeable crest that is breaking over the shore. The white foam adds to the dynamic nature of the scene and creates a sense of movement in the image.

Relevance and Significance

Blue Wave Maine is part of O'Keeffe's tumultuous love affair with life, as described by Colin W. Sargent in Portland Monthly. The painting reflects her breakthrough experience at York Beach, where she began to paint sea shells and their curves and involutions.

Conclusion

Georgia Totto O'Keeffe's Blue Wave Maine is a captivating piece that showcases her unique artistic style and ideology. The painting's tranquil yet dynamic nature makes it a standout in her collection. For those interested in exploring more of O'Keeffe's work, visit ArtsDot to discover hand-made oil painting reproductions. Experience the beauty of Georgia Totto O'Keeffe's art through hand-made oil painting reproductions at ArtsDot.
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Georgia Totto O'keeffe

**Early Life and Education (1887–1916)**

Georgia Totto O'Keeffe, a pivotal figure in American modernism, was born on November 15, 1887, in Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers of Irish and Hungarian descent, respectively. By age 10, O'Keeffe had decided to become an artist. She received art instruction from local watercolorist Sara Mann and later attended the School of the Art Institute of Chicago from 1905 to 1906, studying under John Vanderpoel. Her unique style began to develop during her studies at the University of Virginia.

**Artistic Career (1917–1986)**

In 1917, Alfred Stieglitz, an art dealer and photographer, held an exhibit of O'Keeffe's works. This marked the beginning of her professional career. She moved to New York in 1918 at Stieglitz's request and began working seriously as an artist. Their professional relationship blossomed into a personal one, leading to their marriage on December 11, 1924. O'Keeffe's abstract art, including close-ups of flowers like Red Canna, was often interpreted as representing vulvas, though she consistently denied this intention. Her work was also influenced by her time in the Southwest, which inspired paintings like Cow's Skull: Red, White, and Blue (1931) and Summer Days (1936).

**Legacy and Museum**

After Stieglitz's death in 1946, O'Keeffe lived in New Mexico for the next 40 years. In 2014, her 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000, setting a record for the largest price paid for any painting by a female artist. Following her death on March 6, 1986, the Georgia O'Keeffe Museum was established in Santa Fe. Her works are also featured in several museums, including those listed at [https://WahooArt.com/@/Georgia Totto O'keeffe](https://WahooArt.com/@/Georgia Totto O'keeffe). **Key Works:** * Red Canna * Cow's Skull: Red, White, and Blue (1931) * Summer Days (1936) * Jimson Weed/White Flower No. 1 **Museums featuring O'Keeffe's work:** * Georgia O'Keeffe Museum * [https://WahooArt.com/@/Georgia Totto O'keeffe](https://WahooArt.com/@/Georgia Totto O'keeffe)

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