Giovanni Andrea Donducci and on the left side the canvas Resurrection of the young Napoleone Orsini (1614). He also frescoed the patron saints of Bologna on the pendentives of the dome: San Floriano, St. Francis, San Procolo and San Petronio.
Malvasia describes him by the late 1620s as increasingly neurotic and reclusive: “an enemy of his friends, suspicious of everyone, hating himself, in other words". His figures have an almost phantasmagoric Alessandro Magnasco-like fervor, not characteristic of Bolognese classicism. He is also painted elaborate landscapes to his paintings, likely an influence of Scarsellino's and/or Niccolò dell'Abbate's works.

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