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palette II by Jim Dine Jim Dine | ArtsDot.com

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palette II



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Palette II, created by Jim Dine in 1969, is a seminal work that exemplifies the artist's contribution to the development of both Performance Art and Pop Art. This screenprint on paper measures 711 × 511 mm and features an abstract composition with bold colors and dynamic brushstrokes, evoking the energy of Pop Art.

The Artist: Jim Dine

Jim Dine is a prominent American artist born in 1935, associated with the Neo-Dada and Pop Art movements. His work often incorporates common objects and motifs, such as hearts, tools, and Pinocchio, which he elevates to iconic status through his unique artistic vision.

Palette II: A Closer Look

Palette II presents an abstract composition featuring bold colors and dynamic brushstrokes that evoke the energy of Pop Art. Dine's use of a palette as the central motif in this piece is particularly significant, as it serves as both a self-referential nod to his artistic process and a commentary on the role of color in art.

The Context of Palette II

Created during the height of the Pop Art movement, Palette II reflects Dine's engagement with contemporary art trends while maintaining his unique aesthetic sensibility. The work shares stylistic similarities with other prominent Pop Art artists, such as Andy Warhol and Roy Lichtenstein, but also showcases Dine's distinct approach to the movement.

Jim Dine's Legacy and Palette II's Significance

Dine's work, including Palette II, has had a lasting impact on the art world. His innovative use of everyday objects as artistic motifs and his exploration of various mediums have expanded the boundaries of both Neo-Dada and Pop Art. Palette II demonstrates Dine's mastery of color and composition, making it an essential piece within his oeuvre and a valuable contribution to the broader context of Pop Art.

Conclusion

Jim Dine's Palette II is a powerful example of the artist's ability to transform common objects into extraordinary works of art. By incorporating a palette as the central motif, Dine invites viewers to consider the role of color in artistic expression and solidifies his position as a significant contributor to the Pop Art movement. To learn more about Jim Dine and other prominent artists, visit ArtsDot.com. Jim Dine - Palette II (1969) Image: 711 × 511 mm Collection: Tate Acquisition: Presented by Rose and Chris Prater through the Institute of Contemporary Arts, London Accession Number: P04227 View on Tate's website
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Jim Dine

Jim Dine is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.
He was born in Cincinnati, Ohio. He graduated from Walnut Hills High School and went to University of Cincinnati. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw. Dine received a BFA from Ohio University in 1957.
He first earned respect in the art world with his Happenings. Pioneered with artists Claes Oldenburg and Allan Kaprow, in conjunction with musician John Cage, the "Happenings" were chaotic performance art that was a stark contrast with the more somber mood of the expressionists popular in the New York art world. The first of these was the 30-second The Smiling Worker performed in 1959.
In 1962 Dine's work was included, along with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Edward Ruscha, and Wayne Thiebaud, in the historically important and ground-breaking New Painting of Common Objects, curated by Walter Hopps at the Norton Simon Museum. This exhibition is historically considered one of the first "Pop Art" exhibitions in America. These painters started a movement, in a time of social unrest, which shocked America and the art world. The Pop Art movement fundamentally altered the nature of modern art.
In the early 1960s, he began attaching objects, particularly tools of autobiographical significance, to his canvases. Job #1 from 1962, in the collection of the Honolulu Museum of Art, which incorporates paint cans, paint brushes, a screwdriver, and a piece of wood is an example of such a pop art work. These provided commercial as well as critical success, but left Dine unsatisfied. In September 1966 police raided an exhibition of his work displayed at Robert Fraser's gallery in London, England. Twenty of his works were seized and Fraser was charged under the Obscene Publications Act of 1959, Dine's work was found to be indecent but not obscene and Fraser was fined 20 guineas. The following year Dine moved to London and continued to be represented by Fraser, spending the next four years developing his art.
Returning to the United States in 1971 he focused on several series of drawings. Since 1976 Dine has been represented by The Pace Gallery. In the 1980s sculpture resumed a prominent place in his art. In the time since then there has been an apparent shift in the subject of his art from man-made objects to nature.
According to James Rado, co-writer (with Gerome Ragni) of the rock musical Hair, it was a Dine piece entitled Hair which gave them the name.
The Virginia Museum of Fine Arts purchased six works by Dine, and in 1983 he was a juror in “The Next Juried Show” at the VMFA, judging prints and drawings. The juried shows at the VMFA were a series of biennial exhibitions covering all areas including Communication Arts, Craft Media, Painting & Sculpture, Photography, Video Arts, and Prints and Drawings, each on an every-other-year schedule. “The Next Juried Show” was the last of the series, however.
In 1984 the Walker Art Center in Minneapolis, Minnesota, exhibited his work as "Jim Dine: Five Themes". 1987 saw the publication of the book Jim Dine: Drawings 1973 - 1987, to coincide with a touring exhibition. In 1989 the Minneapolis Institute of Art hosted Jim Dine Drawings: 1973–1987. In 1983, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1994.
In 2004 the National Gallery of Art in Washington, D.C. organized the exhibition "Drawings of Jim Dine." In the summer of 2007 he participated in the Chicago public art exhibition "Cool Globes: Hot Ideas for a Cooler Planet." In Canada, he first exhibited at the Galerie de Bellefeuille alongside artists Chuck Close, Tom Hopkins and Jennifer Hornyak in 2009. Dine also exhibited regularly with the Alan Cristea Gallery in London and had a show there in April 2010.[citation needed]
As of 2016, Jim Dine is exclusively represented by Richard Gray Gallery in Chicago and New York.
On May 16, 2008, Jim Dine formally presented a nine-meter-high bronze statue depicting a walking Pinocchio, named Walking to Borås to the city of Borås, Sweden.
Dine previously worked on a commercial book, paintings, and sculptures that focused on Pinocchio.
Another large bronze sculpture of Pinocchio by Jim Dine exists near the entrance of the Cincinnati Art Museum.
Located at Washington State University in the city of Pullman, Washington, the Technicolor Heart is a 12 foot tall silicon bronze sculpture painted with oil enamel in the shape of a heart. It is one of 31 pieces of art on display on WSU's campus. This statue, inspired by his earliest memories of work, is painted blue and is covered in hand tools. The Technicolor Heart was acquired in 2004 for $391,440 by the Washington State Arts Commission , which is a state government agency established in 1961, for the State Art Collection.

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