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Get Paintings Reproductions , 1890 by Evariste Carpentier (1845-1922, Belgium) | ArtsDot.com

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Evariste Carpentier was a Belgian painter known for his beautiful and captivating works of art. His painting, La laveuse de navets, created in 1890, is a great example of his skill and talent. The painting measures 130 x 195 cm and is made with oil on canvas. It is currently located at the Musée des Beaux-Arts in France.

Style and Technique

Evariste Carpentier's style is characterized by his use of light and shadow to create depth and texture in his paintings. His work often features everyday scenes, such as women doing household chores or farm animals in a kitchen. The painting La laveuse de navets showcases Carpentier's ability to capture the beauty in mundane tasks. The woman in the painting is surrounded by farm animals, including ducks and geese, which adds a sense of warmth and coziness to the scene.

Influences and Legacy

Evariste Carpentier was influenced by other artists of his time, such as Jules Bastien-Lepage. His work also shows similarities with that of Hendrik Martensz Sorgh, a Dutch painter known for his kitchen interior scenes. Carpentier's legacy can be seen in the many paintings he created throughout his career, which are now housed in museums and private collections around the world. For more information on Evariste Carpentier and his work, visit https://ArtsDot.com or Wikipedia.
  • Oil on canvas was Carpentier's preferred medium.
  • His paintings often featured everyday scenes and farm animals.
  • Carpentier was influenced by other artists, such as Jules Bastien-Lepage.
Handmade oil painting reproductions of Evariste Carpentier's work can be found on https://ArtsDot.com, allowing art lovers to own a piece of history.
The Musée des Beaux-Arts in France is home to many of Carpentier's paintings, including La laveuse de navets.
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Evariste Carpentier

Évariste Carpentier, and Madame Roland à la prison Sainte-Pélagie (1886). His paintings became highly appreciated by the public.
This success constituted, however, an obstacle from his discovery of ‘’plein air’’ painting. In this regard, the year of 1884 marked a turning point in his career. Carpentier finally left the conventions of academism and found his true artistic voice. After discovering the works of Jules Bastien-Lepage, he begins to dedicate himself to ‘’plein air’’ painting, turning to nature through the Realism movement. He stayed for two seasons principally at Saint-Pierre-lès-Nemours, near the forest of Fontainebleau, but also at Le Tréport and at Saint-Malo.
Although Évariste Carpentier only gave up his studio in Paris in 1892, he returned to Belgium in 1886. There, he witnessed the increasing
popularity of impressionism among artists from Brussels, such as Les XX. During his long stay in France, he had already been exposed to impressionists, but he had been influenced to a greater extent by the naturalism of Jules Bastien-Lepage and Jules Breton. His initial outdoor paintings, which had been produced with darker, thicker strokes, gave way to a noticeably brighter palette and progressively lighter brushstrokes.
Once established in Belgium, he continued to travel. From 1886 to 1896, he travelled through the Belgian and French countryside, seeking new landscapes. He frequently visited the Campine in Genk with his friends, the landscape artists Franz Courtens and Joseph Coosemans. He also visited Brittany, a region that had a particularly strong influence on him.

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