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Get Art Reproductions Red Cap, 1856 by George Lance (1802-1864) | ArtsDot.com

Red Cap

George Lance (i)


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The Red Cap painting by George Lance is a fascinating piece that showcases the artist's unique style and technique. Created in 1856, this oil on canvas painting measures 25 x 30 cm and is a remarkable example of the artist's attention to detail.

Artist Background

George Lance was a skilled artist known for his captivating paintings that often featured everyday scenes and characters. The Red Cap painting is no exception, as it depicts a man sitting on the ground surrounded by various fruits and vegetables.

Painting Description

The painting features a large pile of carrots in front of the main subject, as well as several apples scattered around the scene. The man appears to be wearing an apron, suggesting that he might be preparing food or working with the produce. Two other people are visible in the background, adding to the overall atmosphere of a busy kitchen environment. Key Elements of the painting include the use of warm colors and the attention to detail in the depiction of the fruits and vegetables. The Red Cap painting is a great example of George Lance's ability to capture everyday scenes and turn them into captivating works of art.
  • Painting size: 25 x 30 cm
  • Painting media: Oil On Canvas
  • Painting date: 1856
For more information on George Lance and his paintings, visit https://ArtsDot.com/@@/AQS3AC-George-Lance-Red-Cap. To learn more about other artists and their works, check out the Lerwick Town Hall collection at https://ArtsDot.com/@@/A@D3B35M-Discovering-the-Artworks-of-Lerwick-Town-Hall-Lerwick-United-Kingdom.
The Red Cap painting by George Lance is a must-see for art enthusiasts and anyone looking to appreciate the beauty of everyday scenes captured on canvas. With its captivating atmosphere and attention to detail, this painting is sure to leave a lasting impression.
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George Lance

George Lance was an English painter of still life and portrait miniatures.
Lance was born at the old manor-house in Little Easton in Essex. His father was William Lance who had previously served in a regiment of light horse and was at the time of Lance's birth an adjutant in the Essex yeomanry; he later became the inspector of the Bow Street horse-patrol. His mother, Louisa Lucy (née) Constable, with whom his father had eloped from boarding-school, was the daughter of Colonel Constable of Beverley in Yorkshire.
Although Lance showed a predilection for art at a very early age, he was placed, while not yet fourteen, in a factory in Leeds. However, the work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still not yet fourteen, entered Haydon's studio, and remained there for seven years, at the same time studying in the schools of the Royal Academy.
While designing a picture inspired by Homer's Iliad, he decided, before putting on the colours, to paint some fruit and vegetables as practice. This work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford as decorations for a summer-house at Woburn Abbey, and his work proved so profitable that he decided to devote himself to still-life painting.
He began to exhibit in 1824, when he sent to the British Institution A Fruit Boy, and to the Society of British Artists The Mischievous Boy and two fruit-pieces. In 1828 he exhibited the Royal Academy, for the first time. showing a still-life with an appended quotation from Samuel Butler's "Hudibras":
"Goose, rabbit, pheasant, pigeons, all With good brown jug for beer not small!"
Although he gained his reputation chiefly as a painter of fruit and flowers, Lance sometimes produced historical and genre works, and his picture of Melanchthon's First Misgivings of the Church of Rome won the prize at the Liverpool Academy in 1836. His works appeared most frequently at the exhibitions of the British Institution, to which he contributed 135 pictures, and he also sent 48 works to the Society of British Artists, and 38 to the Royal Academy. They included:
He also exhibited many fruit-pieces and pictures of dead game, painted with great richness of colour and truthfulness to nature. Lance died at the residence of his son - Sunnyside, near Birkenhead - on 18 June 1864.
His most distinguished pupils were Sir John Gilbert and William Duffield, the latter an artist of great promise who died young in 1863.

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