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Buy Museum Art Reproductions Fruit Piece, 1845 by George Lance (1802-1864) | ArtsDot.com

Fruit Piece

George Lance (i)


From just 49 USD From just 149 USD
The Fruit Piece by George Lance is a stunning example of still life painting, showcasing the artist's skill in capturing the beauty of everyday objects. Created in 1845, this oil on canvas piece measures 25 x 31 cm and features an arrangement of fruits and vegetables, including grapes, apples, and leaves.

Composition and Style

The composition of the Fruit Piece is visually appealing, with the fruits and vegetables arranged in a harmonious manner. The grapes are prominently displayed in the foreground, while the apples and pear are situated in the background, creating a sense of depth and dimensionality. The leaves add a touch of natural elegance to the painting, highlighting the artist's attention to detail. Still life paintings like the Fruit Piece require great skill and technique, as the artist must carefully balance color, texture, and composition to create a captivating image. George Lance's use of oil on canvas allows for rich, vibrant colors and subtle nuances in texture, making the painting feel almost lifelike.

Similar Works and Artists

For fans of still life paintings, Nicolaes Gillis' Laid Table and Simone Peterzano's Still-Life of Figs are also worth exploring. These paintings showcase the artist's ability to capture the beauty in everyday objects and create a sense of intimacy and warmth. Handmade oil painting reproductions of the Fruit Piece are available at https://ArtsDot.com, allowing art lovers to own a piece of history and beauty.
The Fruit Piece by George Lance is a masterpiece of still life painting, showcasing the artist's skill and technique. With its captivating composition and beautiful use of color, this painting is sure to delight art lovers for generations to come.
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George Lance

George Lance was an English painter of still life and portrait miniatures.
Lance was born at the old manor-house in Little Easton in Essex. His father was William Lance who had previously served in a regiment of light horse and was at the time of Lance's birth an adjutant in the Essex yeomanry; he later became the inspector of the Bow Street horse-patrol. His mother, Louisa Lucy (née) Constable, with whom his father had eloped from boarding-school, was the daughter of Colonel Constable of Beverley in Yorkshire.
Although Lance showed a predilection for art at a very early age, he was placed, while not yet fourteen, in a factory in Leeds. However, the work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still not yet fourteen, entered Haydon's studio, and remained there for seven years, at the same time studying in the schools of the Royal Academy.
While designing a picture inspired by Homer's Iliad, he decided, before putting on the colours, to paint some fruit and vegetables as practice. This work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford as decorations for a summer-house at Woburn Abbey, and his work proved so profitable that he decided to devote himself to still-life painting.
He began to exhibit in 1824, when he sent to the British Institution A Fruit Boy, and to the Society of British Artists The Mischievous Boy and two fruit-pieces. In 1828 he exhibited the Royal Academy, for the first time. showing a still-life with an appended quotation from Samuel Butler's "Hudibras":
"Goose, rabbit, pheasant, pigeons, all With good brown jug for beer not small!"
Although he gained his reputation chiefly as a painter of fruit and flowers, Lance sometimes produced historical and genre works, and his picture of Melanchthon's First Misgivings of the Church of Rome won the prize at the Liverpool Academy in 1836. His works appeared most frequently at the exhibitions of the British Institution, to which he contributed 135 pictures, and he also sent 48 works to the Society of British Artists, and 38 to the Royal Academy. They included:
He also exhibited many fruit-pieces and pictures of dead game, painted with great richness of colour and truthfulness to nature. Lance died at the residence of his son - Sunnyside, near Birkenhead - on 18 June 1864.
His most distinguished pupils were Sir John Gilbert and William Duffield, the latter an artist of great promise who died young in 1863.

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