English Français Deutsch Italiano Español Русский 中国 Português 日本

FAVORITES MY CART

Purchase Oil Painting Replica Miss Baker, 1947 by Lawrence Gowing (Inspired By) (1918-1991) | ArtsDot.com

Miss Baker



This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks: for purposes of critical commentary on:
  • the specific work in question,
  • the artistic genre or technique employed in the artwork, or
  • the artistic school or tradition to which the artist is associated,
qualifies as fair use under copyright law.
Any other use of this image, could potentially constitute a copyright infringement.


The Miss Baker painting by Lawrence Gowing is a stunning example of modern British art. Created in 1947, this oil on canvas piece measures 75 x 55 cm and is part of the Arts Council Collection in London, United Kingdom. The painting depicts a woman with red hair sitting on a chair, looking directly at the viewer while holding her hands together in front of her chest.

Artist Background

Lawrence Gowing was a British artist known for his portraits and landscapes. His work is characterized by bold brushstrokes and vivid colors. Miss Baker is one of his notable works, showcasing his ability to capture the essence of his subjects. For more information on Lawrence Gowing's artwork, visit Lawrence Gowing: Miss Baker.

Similar Works

Other notable paintings in the Arts Council Collection include Julia Strachey (1901–1979) by Lawrence Gowing, Red Haired Nude by George Douglas Haig, and Old Woman Knitting by Patricia Preece. These paintings demonstrate the diversity of modern British art and can be found on Lawrence Gowing: Julia Strachey (1901–1979), George Douglas Haig: Red Haired Nude, and Patricia Preece: Old Woman Knitting.

Key Features

The Miss Baker painting features:
  • Vibrant colors used to capture the subject's red hair and facial expression
  • Bold brushstrokes that add texture and depth to the painting
  • A simple yet effective composition that draws the viewer's attention to the subject
For more information on the Arts Council Collection, visit The Arts Council Collection London, United Kingdom Introduction.
The Miss Baker painting is a remarkable example of modern British art, and its unique features make it a must-see for art enthusiasts.
Open full description




Lawrence Gowing

Sir Lawrence Burnett Gowing CBE RA was an English artist, writer, curator and teacher. Initially recognised as a portrait and landscape painter, he quickly rose to prominence as an art educator, writer, and eventually, curator and museum trustee. As a student of art history he was largely self-taught.
Born in Hackney, East London to Horace Gowing, a draper, and his wife, Louise, his first painting of note, Mare Street, Hackney, made reference to his father's shop. After attending the Downs School at Colwall, Herefordshire and Leighton Park School, in 1938 he enrolled in the Euston Road School, where he studied with William Coldstream. He was a conscientious objector during World War II.
In the 1940s he became recognised as a painter, and for the rest of his life was sought after to paint casual but quintessential portraits of the eminent, among whom were Clement Attlee, Lord Halifax, and Edgar Adrian.
Gowing began teaching in 1948, first as Professor of Fine Art at King's College, University of Durham (now the University of Newcastle upon Tyne) from 1948 to 1958, then as Principal of Chelsea School of Art from 1958 to 1965, as Professor of Fine Art at the University of Leeds from 1967 to 1975, finally serving as Principal of the Slade School of Fine Art at University College, London from 1975 to 1985. Concurrently, he authored a number of art monographs and catalogues on masters such as Vermeer, William Hogarth, J.M.W. Turner, Cézanne, Matisse, and Lucian Freud. Among the major exhibitions he organized were those for Turner at the Museum of Modern Art in 1966, Matisse in New York in 1966 and London in 1968, and Cézanne, which traveled in 1988-89 from the Royal Academy to the Musée d'Orsay and the National Gallery of Art.
Gowing was a trustee of the Tate Gallery, the National Portrait Gallery, and the British Museum, and was a member of the Arts Council of Great Britain. In 1978, he was elected an associate of the Royal Academy of Arts, and was made honorary curator of its collections in 1985. Beginning in the 1960s he travelled to the United States to serve as Kress Professor at the National Gallery in Washington, D.C., and was also curator of the Phillips Collection in Washington. Knighted in 1982, he was made a chevalier in the Order of Arts and Letters in France in 1985.
Gowing also received an Honorary Doctorate from Heriot-Watt University in 1980.
A first marriage, to Julia Strachey, a member of the Bloomsbury Group, ended in divorce. In 1967 he married Jenny Wallis. Gowing had three daughters.
He died of heart failure at the age of 73.

More...

-