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Untitled, 1958 by Larry Rivers (1923-2002, United States) Larry Rivers | ArtsDot.com



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The Untitled painting by Larry Rivers, created in 1958, is a fascinating example of modern art that continues to intrigue art enthusiasts and scholars alike. Measuring 33 x 51 cm, this paper-based artwork is a testament to the artist's innovative style and technique.

The Artist and His Style

Larry Rivers was an American artist, musician, and filmmaker who played a significant role in the development of Pop Art. His work often blended elements of abstract expressionism with figurative representation, creating a unique visual language. The Untitled painting showcases his ability to experiment with different mediums and techniques.

The Painting's Composition

The Untitled painting features a woman with red hair standing in front of a bold red background. Her white dress is the only other prominent element in the composition, creating a striking contrast with the vibrant red hues. The use of paper as the medium adds a sense of fragility and intimacy to the artwork.

Artistic Significance

The Untitled painting is part of the collection at the Hirshhorn Museum and Sculpture Garden, a renowned institution dedicated to modern and contemporary art. This painting, along with other works by Larry Rivers, can be found on ArtsDot.com, where art enthusiasts can explore and purchase handmade oil painting reproductions of famous artworks. Handmade oil painting reproductions of the Untitled painting can be commissioned through ArtsDot.com, allowing art lovers to own a unique and authentic piece of modern art. By exploring the works of Larry Rivers and other notable artists, we can gain a deeper understanding of the evolution of modern art and its continued relevance in contemporary culture.
The Untitled painting by Larry Rivers remains an enigmatic and captivating work of art, inviting viewers to interpret its meaning and significance. As we continue to appreciate and study this masterpiece, we are reminded of the power of modern art to inspire and provoke us.
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Larry Rivers

Larry Rivers was an American artist, musician, filmmaker and occasional actor. Rivers resided and maintained studios in New York City, Southampton, Long Island, and Zihuatanejo, Mexico.
Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. From 1940–45 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991.
Rivers is considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, because he was one of the first artists to really merge non-objective, non-narrative art with narrative and objective abstraction.
Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955. During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo, Daniel Spoerri or Alain Jacquet, several of whom left, like him, some pieces of art in the lobby of the hotel : for payment of their rooms. In 1965 Rivers had his first comprehensive retrospective in five important American museums.
His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. During 1967 he was in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series "Experiments in Television". During this trip they narrowly escaped execution as suspected mercenaries.[citation needed]
During the 1970s Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon.
Rivers married Augusta Berger in 1945, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. He married Clarice Price in 1961, a Welsh school teacher who cared for his two sons. Rivers and Clarice Price had two daughters, Gwynne and Emma. After six years, they separated.
Shortly after, he lived and collaborated with Diana Molinari, who featured in many of his works of the 1970s. After that Rivers lived with Sheila Lanham, a Baltimore artist and poet. In the early 1980s, Rivers and East Village figurative painter Daria Deshuk lived together and in 1985 they had a son, Sam Deshuk Rivers (now Sam D. Rivers). At the time of his death in 2002, poet Jeni Olin was his companion. Rivers also sustained a relationship with poet Frank O'Hara in the late 1950s and delivered the eulogy at O'Hara's funeral in 1966.
His primary gallery being the Marlborough Gallery in New York City. In 2002 a major retrospective of Rivers' work was held at the Corcoran Gallery of Art in Washington, D.C. New York University bought correspondences and other documents from the Larry Rivers Foundation to house in their archive. However, his daughters Gwynne and Emma objected to one particular film being displayed, as it depicts them naked as young children. The film's purpose is supposedly to be a documentation on their growth through puberty, but it was made without their consent. The matter was addressed in the December 2010 issue of the magazine Vanity Fair, and the October 2010 issue of Grazia. The film will never be publicly displayed as requested by both children.[citation needed]

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