English Français Deutsch Italiano Español Русский 中国 Português 日本

FAVORITES MY CART

Bullet Revisited #27b, 2013 by Lalla Essaydi Lalla Essaydi | ArtsDot.com

Bullet Revisited #27b



This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks: for purposes of critical commentary on:
  • the specific work in question,
  • the artistic genre or technique employed in the artwork, or
  • the artistic school or tradition to which the artist is associated,
qualifies as fair use under copyright law.
Any other use of this image, could potentially constitute a copyright infringement.


Lalla Essaydi

Lalla Assia Essaydi is a Moroccan photographer known for her staged photographs of Arab women in contemporary art. She was born in Marrakesh, Morocco in 1956. She left to attend high school in Paris at 16. She married after returning to Morocco and moved to Saudi Arabia where she had two children and divorced. Essaydi returned to Paris in the early 1990s to attend the École nationale supérieure des Beaux-Arts. She moved to Boston in 1996 and earned her BFA from Tufts University in 1999 and her MFA in painting and photography from the School of the Museum of Fine Arts in 2003. Her work explores the ways that gender and power are inscribed on Muslim women's bodies and the spaces they inhabit. She has stated that her work is autobiographical and that she was inspired by the differences she perceived in women's lives in the United States versus in Morocco, in terms of freedom and identity. She explores a wide range of perspectives, including issues of diaspora, identity, and expected location through her studio practice in Boston. The inspiration for many of her works came from her childhood, in the physical space where she, as a young woman, was sent when she disobeyed. She stepped outside the permissible behavioral space, as defined by Moroccan culture. Essaydi said her works will become haunted by spaces she inhabited as a child.

-