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Buy Museum Art Reproductions Viewing plum blossoms by moonlight, 1201 by Li Yuan-Chia (Inspired By) (1929-1994, China) | ArtsDot.com

Viewing plum blossoms by moonlight

Li Yuan-Chia (i)




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Crafted as carefully as the regulated verse of a Tang dynasty quatrain, Ma Yuan"s Viewing Plum Blossoms by Moonlight is a visual poem evoking a complex sense of time, place, and mood. The browns and blacks in the trees and rocks contrast with the light grayish hues of the cliff and mountain to suggest the mist-filled, moonlit atmosphere of an early spring evening. The thatch roof of a pavilion identifies the place as a garden setting. The white-robed gentleman, framed by the dark angular forms of the landscape, perfectly counterbalances the moon in its setting of limitless space. Recalling a yin-yang cosmic diagram with its implication of positive within negative, light within dark, solid within void, the painting may be read as an emblem of man"s dual nature: tied to the physical world, man"s spirit is not contained by it but, like the plum, reaches upward to partake of the infinite.
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Li Yuan-Chia

Li Yuan-chia was a Chinese artist, poet and curator. He incorporated installations, works and photography into his art, and was one of a small number of artists of Chinese background active in the UK during his lifetime. Li Yuan-chia was born in Guangxi, China and was educated in Taiwan from 1949. He was one of the Ton Fan group (東方畫會) that formed in Taiwan by 1956, also known as Orient Movement or Dongfang Huahui. Li was one of a number of students of Li Chung-sheng (李仲生, Pinyin Li Zhongsheng) in Ton Fan, who collectively became known as the 'Eight Great Outlaws'. The group exhibited in 1957 at the São Paulo Bienal, Brazil. In Taipei in November 1957 they held a collective exhibition, including works by Spanish painters obtained by Hsiao Chin. Li spent time in Italy, in Bologna and Milan; he was a founder of the Punto group, rejoining Hsiao Chin, and was resident in Bologna in 1965. Li moved to London in 1965 where he exhibited with David Medalla and later at the Lisson Gallery. He participated in the 1966 Signals 3 + 1 exhibition, organised by Paul Keeler and Anthony de Kedrel, with Hsiao Chin, Ho Kan, and Pia Pizzo. In 1968 Li moved to the area of Brampton (now in Cumbria) in North West England. After two years residence near Lanercost, he purchased a derelict farmhouse at Banks on Hadrian's Wall from the artist Winifred Nicholson. By his own efforts and with scant resources he converted the farmhouse into the LYC Museum and Art Gallery and opened it in 1972. Li Yuan-chia died of cancer in 1994.

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