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Purchase Oil Painting Replica South Room - Green Street, 1920 by Daniel Garber (Inspired By) (1880-1958, United States) | ArtsDot.com

South Room - Green Street



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Backlit from sunlight pouring in through a tall window, a girl with waist-length, golden hair stands reading looking at a sheet of paper in profile, facing a person sitting in a chair in front of the window in the corner of the room in this vertical painting. Both people seem to have light skin though their faces are obscured by shadow. The window on the wall opposite us is to our left of center. The sheer curtain covering the window is painted loosely with strokes of lavender purple, pale peach, and cream white. Floral curtains flanking the window are painted with touches of teal and pumpkin orange. The top of the window is covered by a shade that glows marigold-orange in the sunlight, and the rails separating the windowpanes cast aquamarine-blue shadows on the sheer curtain. The standing girl tilts her head down to look at the unfolded piece of paper she holds. The hair from her forehead and down to her ears is pinned back, adding to the cascade down her back. She wears a short-sleeved, shin-length, topaz-blue, loose garment and dark slippers or shoes. She has pulled her right foot, farther from us, out of the slipper to rest on those toes. The woman across from her, to our left, sits in a wicker chair and looks up at the girl. Her brown hair is pulled back and she wears a pale, butter-yellow wrap around her shoulders. One hand rests along the arm of her chair and the other, farther from us, the pages of a book or newspaper. Her chair is tucked in next to a royal-blue couch that has a rounded back and wood trim, next to an armless wooden chair with a red upholstered seat. The girl stands behind a wooden tabletop that extends off the canvas to our right. A mirror hanging on the wall over the seated woman reflects the light from the window, and another mirror behind the girl reflects the far side of her head. The light from the window pours onto an area rug patterned with touches of sand brown, coral pink, turquoise, and white. The artist signed the painting with tiny letters in the lower right corner: “Daniel Garber.”
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Daniel Garber

Daniel Garber was an American Impressionist landscape painter and member of the art colony at New Hope, Pennsylvania. He is best known today for his large impressionist scenes of the New Hope area, in which he often depicted the Delaware River. He also painted figurative interior works and excelled at etching. In addition to his painting career, Garber taught art at the Pennsylvania Academy of the Fine Arts for over forty years.
Garber was born on April 11, 1880 in North Manchester, Indiana. He studied art at the Art Academy of Cincinnati, and at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1905. During this time Garber met and married his wife, Mary Franklin, who was also an art student. In the tradition of many American artists, Garber and his wife traveled to Europe to complete his art education. Returning to America in 1907, on the advice of artist William Langson Lathrop he settled at Cuttalossa (Solebury Township, Bucks County) just downriver from Lumberville, Pennsylvania, six miles up the Delaware River from New Hope.
Like most impressionist painters, Garber painted landscapes en plein air, directly from nature. He exhibited his works nationwide and earned numerous awards, including a gold medal at the Panama-Pacific International Exposition (1915) in San Francisco, California. He was elected a member of the National Academy of Design in 1913. Garber died on July 5, 1958, after falling from a ladder at his studio. Today, Garber's paintings are considered by collectors and art historians to be among the finest works produced from the New Hope art colony. His paintings are owned by major museums including the Smithsonian American Art Museum in Washington, DC, the Art Institute of Chicago and Philadelphia Museum of Art.

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