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Studies for the Death of Empedokles

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Salvator Rosa (i)

National Gallery of Denmark (Copenhagen, Denmark)

Year : 1666
Media : Pen (i)
Size : 18 x 12 cm

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Salvator Rosa’s style of drawing in the late 1660s was dynamic and spontaneous, as is evident in Studies for the Death of Empedocles.Motifs from the literatureRosa belonged to the Neapolitan school and was active in his home town of Naples as well as in Rome and Florence. He often looked to literature for inspiration and was fond of depicting lonely philosophers against sublime landscapes.The story of EmpedoclesThis drawing is a splendid account of the philosopher Empedocles throwing himself into the crater of the volcano Etna as described in the writings of the poet Diogenes Laërtius. The figure is captured in several sequences. The fingers are tense, the arms are stiff, accentuating the horror that Empedocles experiences.The lines are full of energy and infused with a temperamental virtuosity. The movement in the drawing goes from right to left, helping the sense of speed and dynamics.Empedocles hoped that vanishing without a trace from the top of the volcano would make people believe that he had been raised up to join the Olympian gods. He did, however, prove a common mortal when the volcano spat out one of his sandals.The moral messageRosa’s depiction of the scene contains a moral message, describing man’s irresistible urge to surrender to the forces of nature.

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Salvator Rosa

Art by color

Early Life and Training

SALVATOR ROSA, an Italian Baroque painter, poet, and printmaker, was born in Arenella, Naples, on either June 20 or July 21, 1615. His mother, Giulia Greca Rosa, was a member of one of the Greek families of Sicily. Despite his father's wishes for him to become a lawyer or priest, Salvator showed a preference for the arts and secretly worked with his maternal uncle Paolo Greco to learn about painting.

Artistic Career

SALVATOR ROSA's artistic career was marked by his flamboyant personality and innovative style. He is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings exerted considerable influence from the 17th century into the early 19th century.

He continued his apprenticeship with Aniello Falcone, a contemporary of Domenico Gargiulo, in Naples.
He was advised by Giovanni Lanfranco to relocate to Rome, where he stayed from 1634 until 1636.
His peopled landscapes, depicting "sublime" nature, were prototypes of the romantic landscape and the very antithesis of the "picturesque" classical views of Claude Lorrain.

Notable Works and Legacy

SALVATOR ROSA's notable works include:

Apollo and Marsyas, a painting showcasing his unique style, can be found in the Palace of Capodimonte (Naples, Italy).
His self-portraits, such as those found in the Uffizi Gallery (Florence, Italy), demonstrate his innovative approach to portraiture.
His influence on Romanticism is evident in his numerous landscapes, which can be found in various museums, including the WahooArt.com collection.

Legacy and Revival

Despite his work falling from favor in the mid-19th century, SALVATOR ROSA's legacy as an innovative landscape painter has been rediscovered. His influence on the Romantic movement is undeniable, and his works continue to inspire artists to this day.

Explore more of SALVATOR ROSA's works on WahooArt.com.
Learn about the life and times of SALVATOR ROSA on Wikipedia.

Conclusion

SALVATOR ROSA, the unorthodox Italian Baroque painter, left an indelible mark on the art world. His innovative style and flamboyant personality continue to inspire artists, making him a fascinating figure in the history of art.

Discover more about SALVATOR ROSA's life and works on WahooArt.com.
Delve into the world of Italian Baroque painting with Wikipedia's Italian Baroque article.

SALVATOR ROSA

Early Life and Training

Salvator Rosa, an Italian Baroque painter, poet, and printmaker, was born in Arenella, Naples, on either June 20 or July 21, 1615. His mother, Giulia Greca Rosa, was a member of one of the Greek families of Sicily. Despite his father's wishes for him to become a lawyer or priest, Salvator showed a preference for the arts from an early age.

Artistic Career

Salvator Rosa's artistic career was marked by his unorthodox and extravagant style, which set him apart from his contemporaries. He was active in Naples, Rome, and Florence, and his work was influenced by the naturalism of Ribera and the classicism of Poussin. However, he refused to be tied down by any particular style or movement.

Pythagoras Emerging from the Underworld (Kimbell Art Museum, Fort Worth, United States), one of his most famous works, showcases his unique blend of philosophical and artistic themes.
His The Baptism of the Eunuch (Chrysler Museum of Art, Norfolk, United States) demonstrates his ability to infuse high drama into even minor Bible stories.

Influences and Legacy

Salvator Rosa's work had a significant impact on the development of Baroque art. His influence can be seen in the works of later artists, such as Luca Giordano, who continued to push the boundaries of artistic expression. **Important Links:** Salvator Rosa's Profile on WahooArt Wikipedia: Salvator Rosa Pythagoras Emerging from the Underworld on WahooArt

Conclusion

Salvator Rosa's life and work continue to fascinate art lovers and historians alike. His unorthodox style and perpetual rebellion against the norms of his time have cemented his place in the annals of Baroque art. As a painter, poet, and printmaker, he remains an enigmatic figure, and his work continues to inspire new generations of artists and art enthusiasts. Kimbell Art Museum, Chrysler Museum of Art (museum names)

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