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Order Artwork Replica Demons who torment me (Démons me turlupinant) by James Ensor (1860-1949, Belgium) | ArtsDot.com

Demons who torment me (Démons me turlupinant)

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During his main creative period, Ensor was subjected to particularly harsh treatment from art critics. The universal incomprehension and derision that greeted his work in this period clearly wounded Ensor to such an extent that he was never able to forget these traumatic affronts. Some of the etchings he created in the 1890s seek, in more or less coded form, to settle scores with these self-proclaimed arbiters of artistic taste. The self-portrait, Demons Who Torment Me is one such work. It shows an artist being tormented by his foes. They have taken the form of demonic chimeras, drooling as they encircle the artist. The ranks of diabolical tormenters are not only made up of art critics, but also include a number of women – who appear as dolled up, grotesquely disfigured skeletons. The foolish-looking animal head, comprising a proboscis and horse’s mane, possibly represents another of the artist’s female ‘tormentors’.
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James Ensor

Early Life and Artistic Journey

James Sidney Edouard, Baron Ensor, a prominent Belgian painter and printmaker, was born on April 13, 1860, in Ostend, Belgium. His early life was marked by a diverse cultural background, with an English father, James Frederic Ensor, and a Belgian mother, Maria Catherina Haegheman. Lacking interest in traditional academic studies, Ensor left school at fifteen to pursue art, training with local painters and later studying at the Académie Royale des Beaux-Arts in Brussels.

Artistic Style and Themes

Ensor's artistic style was characterized by its exploration of the unconscious mind and dreamlike imagery, which significantly influenced expressionism and surrealism. His paintings often featured bizarre subject matter, including carnivals, masks, puppetry, skeletons, and fantastic allegories. Notable works include The Scandalized Masks (1883) and Skeletons Fighting over a Hanged Man (1891), which showcase his unique blend of the grotesque and the fantastical.

Recognition and Legacy

Despite initial rejection, Ensor's work gradually gained acceptance and acclaim. By 1920, he was the subject of major exhibitions; in 1929, he was named a Baron by King Albert, and in 1933, he was awarded the Légion d'honneur. His legacy as a pioneering figure in modern art is evident in his influence on subsequent artistic movements, including expressionism and surrealism.

Key Works and Exhibitions

* The Intrigue (90 x 150 cm, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium) * Tribulations of Saint Anthony (1887, now in the collection of the Museum of Modern Art, New York) Ensor's innovative style and daring approach to art have left an indelible mark on the world of modern art.

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