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Get Art Reproductions The Holy Family, 1630 by Simon Vouet (1590-1649, France) | ArtsDot.com

The Holy Family

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This large-scale painting shows the Holy Family resting beneath a tree on their flight to Egypt. The work captivates with its intense colors and marked contrasts of light and dark (chiaroscuro), which reveal the influence of Caravaggio. The divine light falls on Mary, the Chosen One, in the center of the composition, who devotedly looks towards it, with the Christ Child also bathed in this light. The contours of his foster father, Joseph, on the other hand, lie in the shadows. The grapes in the Child’s hand allude to the Virgin as the “Madonna of the Grapevine.” According to this interpretation, Mary is regarded as the grapevine upon which Jesus grew as a grape. At the same time, the fruit stands for wine, which signifies the sacrificial death of Jesus in the Eucharist. A further premonition of the Child’s fate may be seen in the strong wind blowing against the Holy Family on their flight. The attribution to Simon Vouet is subject to debate. The painting was most likely executed by an artist close to Vouet, who is considered the founder of Baroque painting in France, and who, upon his return from Italy, was appointed court painter to Louis XIII.
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Simon Vouet

Simon Vouet was a French painter and draftsman, who today is perhaps best remembered for helping to introduce the Italian Baroque style of painting to France. Born on January 9, 1590, in Paris, Vouet's father Laurent was a painter in Paris and taught him the rudiments of art. His brother Aubin Vouet and his grandson Ludovico Dorigny were also painters.

Early Career

Vouet began his painting career as a portrait painter. At age 14, he traveled to England to paint a commissioned portrait and in 1611 was part of the entourage of the Baron de Sancy, French ambassador to the Ottoman Empire, for the same purpose. From Constantinople, he went to Venice (1612) and was in Rome by 1614. He remained in Italy until 1627, mostly in Rome where the Baroque style was emerging during these years.

Artistic Style

Vouet's immense success in Rome led to his election as president of the Accademia di San Luca in 1624. He was a natural academic, who absorbed what he saw and studied, and distilled it in his painting: Caravaggio's dramatic lighting; Italian Mannerism; Paolo Veronese's color and di sotto in su or foreshortened perspective; and the art of Carracci, Guercino, Lanfranco and Guido Reni. Vouet's new style was distinctly Italian, importing the Italian Baroque style into France.

Notable Works and Influence

Vouet's sizeable atelier or workshop produced a whole school of French painters for the following generation. His most influential pupil was Charles le Brun, who organized all the interior decorative painting at Versailles and dictated the official style at the court of Louis XIV of France. Vouet's other students included Valentin de Boulogne, Charles Alphonse du Fresnoy, Pierre Mignard, Eustache Le Sueur, and Claude Mellan. For more information on Vouet's works, visit the Simon Vouet page on WahooArt.com. Key Points: For more information on Simon Vouet and his works, visit the Simon Vouet page or check out the Musée Réattu in Arles, France. You can also learn more about other artists on WahooArt.com by visiting their respective pages, such as Paul Joseph Jamin.

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