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Buy Museum Art Reproductions The Entombment by Simon Vouet (1590-1649, France) | ArtsDot.com

The Entombment

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Influenced by the work of Caravaggio, Simon Vouet (1590–1649) moved to Italy in 1612, where he also developed an interest in the work of the Carracci brothers and the Venetian and Flemish colourists. Summoned to Paris by Louis XIII in 1624, he received the title of Premier Peintre du Roi. Many of the leading artists of the 17th century (Le Brun, Lesueur, Perrier, Mignard, etc.) passed through his workshop and worked with him on commissions for major decorative projects in the French capital. In 1636, Vouet painted a decorative scheme in the chapel of the Hôtel Séguier for the chancellor Pierre Séguier. This ensemble, composed of a painted ceiling and a series of paintings on canvas and wood, was sold during the French Revolution and broken up in the early 19th century. The format and di sotto perspective—\
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Simon Vouet

Simon Vouet was a French painter and draftsman, who today is perhaps best remembered for helping to introduce the Italian Baroque style of painting to France. Born on January 9, 1590, in Paris, Vouet's father Laurent was a painter in Paris and taught him the rudiments of art. His brother Aubin Vouet and his grandson Ludovico Dorigny were also painters.

Early Career

Vouet began his painting career as a portrait painter. At age 14, he traveled to England to paint a commissioned portrait and in 1611 was part of the entourage of the Baron de Sancy, French ambassador to the Ottoman Empire, for the same purpose. From Constantinople, he went to Venice (1612) and was in Rome by 1614. He remained in Italy until 1627, mostly in Rome where the Baroque style was emerging during these years.

Artistic Style

Vouet's immense success in Rome led to his election as president of the Accademia di San Luca in 1624. He was a natural academic, who absorbed what he saw and studied, and distilled it in his painting: Caravaggio's dramatic lighting; Italian Mannerism; Paolo Veronese's color and di sotto in su or foreshortened perspective; and the art of Carracci, Guercino, Lanfranco and Guido Reni. Vouet's new style was distinctly Italian, importing the Italian Baroque style into France.

Notable Works and Influence

Vouet's sizeable atelier or workshop produced a whole school of French painters for the following generation. His most influential pupil was Charles le Brun, who organized all the interior decorative painting at Versailles and dictated the official style at the court of Louis XIV of France. Vouet's other students included Valentin de Boulogne, Charles Alphonse du Fresnoy, Pierre Mignard, Eustache Le Sueur, and Claude Mellan. For more information on Vouet's works, visit the Simon Vouet page on WahooArt.com. Key Points: For more information on Simon Vouet and his works, visit the Simon Vouet page or check out the Musée Réattu in Arles, France. You can also learn more about other artists on WahooArt.com by visiting their respective pages, such as Paul Joseph Jamin.

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