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Get Paintings Reproductions Mother and Daughter, 1939 by Xu Beihong (1895-1953, China) | ArtsDot.com

Mother and Daughter

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In August 1939, Xu Beihong painted Mrs. Tchang Ju Chi and her daughter in the oil painting Mother and Daughter.Tchang Ju Chi (dates of birth and death unknown) graduated from the Shanghai Fine Arts School, and then went abroad to study in France. In early summer 1935, she advocated for the founding of the Society of Chinese Artists in Singapore, comprised initially of the alumni from the Shanghai Fine Arts School, the New China Arts University, and the Shanghai Arts University living in Singapore. First named the “Salon Art Research Association,” the Society only had a few dozen members. Later, because the membership scope was too narrow, the organization did not play a prominent role in society. On 17 November 1935, it convened a meeting of its members. It removed membership restrictions and took on young Chinese people with “upright character and an interest in art.” The name was changed to the “Singapore Chinese Art Research Society,” and its mission became “studying art, connecting to emotion, and beautifying society.” The first chair was Tchang Ju Chi.The society hosted many large-scale exhibitions, which contributed to the development of art in Singapore. The exhibition to help Xu Beihong was a key project in early 1939, and Xu’s arrival increased the frequency and liveliness of artistic activity in Singapore.-Hua Tianxue
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Xu Beihong

Xu Beihong was a renowned Chinese painter born in Yixing, Jiangsu province, in 1895. He is primarily known for his stunning Chinese ink paintings of horses and birds, which reflected the need for artistic expressions that represented a modern China at the beginning of the 20th century.

Early Life and Education

Xu Beihong began studying classic Chinese works and calligraphy with his father Xu Dazhang when he was six, and Chinese painting when he was nine. In 1915, he moved to Shanghai, where he made a living off commercial and private work. He travelled to Tokyo in 1917 to study arts, and later to Paris at the École Nationale Supérieure des Beaux-Arts, where he studied oil painting and drawing.

Artistic Career

Xu Beihong was one of the first Chinese artists to combine traditional Chinese brush and ink techniques with Western perspective and methods of composition. His works, such as The Foolish Old Man Who Removed the Mountains, showcased his mastery of both oils and Chinese ink. As an art teacher, he advocated the subordination of technique to artistic conception and emphasized the importance of the artist's experiences in life. Key aspects of Xu Beihong's artistic style:
  • Combination of traditional Chinese techniques with Western methods
  • Use of bold brush strokes and precise delineation of form
  • Emphasis on artistic conception over technique

Legacy

Xu Beihong enjoyed massive support from art collectors across Asia. His connections with various parts of Asia and Europe opened a new chapter of historical narratives, exchanges, and influences of aesthetics and ideas in art. Many pioneer artists, such as Chen Wen Hsi and Lee Man Fong, looked up to him as a mentor and a worthy peer. To learn more about Xu Beihong and his works, visit the Xu Beihong page on WahooArt.com. You can also explore the categories of oil paintings and photo to painting services offered by WahooArt.com. For more information on Xu Beihong's life and art, check out his Wikipedia page.

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