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Snowwhite in the wrong Story by Marlene Dumas Marlene Dumas | ArtsDot.com

Snowwhite in the wrong Story



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Dumas lives and works in the Netherlands, but was born and raised in South Africa in the days of apartheid. Her many-layered figurative pictures reflect political and personal experiences and are full of art-historical references. Dumas’ work is characterised by a sensual painting technique that only focuses on the most essential aspects. Her works touch on complex themes that range from segregation and eroticism to more general ones, such as love and war. Dumas often takes inspiration from photos in the newspapers and magazines she keeps in her enormous archive of images.For Marlene Dumas, Snow White is no longer the innocent girl from the fairytale. Although the skin of this naked woman in Snow White in the wrong story is still an intense white, she appears to be more aware of the strange looks to which she is exposing herself. In any case, her nakedness is not glamorised here. Snow White is lying in a box that is too small, with two women’s heads to her left and right, and a small figure – a dwarf or a child – in the foreground. Dumas’ works invite interpretation, even more so because she gives them suggestive titles. “Titles direct the eye”, she says.
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Marlene Dumas

Marlene Dumas is a South African artist and painter.
Dumas was born in 1953 in Cape Town, South Africa, and grew up in Kuils River in the Western Cape, where her father had a vineyard. She studied art at the University of Cape Town from 1972 to 1975, and then at Ateliers '63 in Haarlem, in North Holland in the Netherlands. She studied psychology at the University of Amsterdam in 1979–1980.
She often uses reference material of polaroid photographs of her friends and lovers, whilst she also references magazines and pornographic material. Marlene Dumas also paints portraits of children and erotic scenes to impact the world of contemporary art. She has said that her works are better appreciated as originals since many of her smaller sexual works are very intimate.
Her first major American museum exhibition, a midcareer retrospective entitled "Measuring Your Own Grave", opened in June 2008 at the Museum of Contemporary Art, Los Angeles, and moved to the Museum of Modern Art in New York City.
The sale of Dumas's Jule-die Vrou (1985), positioned Dumas as one of three living female artists to trade for over $1 million.

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