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Purchase Oil Painting Replica The Half Dome, Yosemite, 1880 by William Bradford (1590-1657, United Kingdom) | ArtsDot.com

The Half Dome, Yosemite

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Famous as a painter of sailing ships, marine landscapes, and Arctic scenes, Bradford traveled widely as an artist. Between 1877 and 1881, he visited Yosemite Valley at least six times to make studies for wintry views and the surrounding Sierra Nevada mountain area in California. This painting shows a view from the western edge of the valley toward the famous granite form, partially obscured by clouds. At the left is El Capitan, the largest monolith of granite in the world. In the right middle ground are Cathedral Rocks and a frozen Bridalveil fall.
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William Bradford

William Bradford was an American romanticist painter, photographer and explorer, originally from Fairhaven, Massachusetts, near New Bedford. His early work focused on portraits of the many ships in New Bedford Harbor. In 1858, his painting New Bedford Harbor at Sunset was included in Albert Bierstadt's landmark New Bedford Art Exhibition.
He is known for his paintings of ships and Arctic seascapes. He went on several Arctic expeditions with Dr. Isaac Israel Hayes, and was the first American painter to portray the frozen regions of the north. In 1862, Boston, he was an art teacher to Charles Dormon Robinson.
With funds provided by LeGrand Lockwood, Bradford traveled to the Arctic aboard the steamship Panther in 1869, accompanied by photographers John L. Dunmore and George Critcherson. Upon his return, Bradford spent two years in London, where he published an account of his trips to the north, entitled The Arctic regions, illustrated with photographs taken on an art expedition to Greenland; with descriptive narrative by the artist.(London, 1873) In 1874, he was elected into the National Academy of Design as an Associate member.
He was associated with the Hudson River School, not an institution but rather an informal group of like-minded painters. He adopted their techniques and became highly interested in the way light touches water and how it affects the appearance of water surfaces and the general atmospherics of a painting. He compositionally balanced many of his paintings by creating a counter-subject and by placing darker colors around the edges, framing and counteracting the center's better-lit subject.
Looking out of Battle Harbor, 1877
Whaler And Fishing Vessels Near The Coast Of Labrador, c. 1880
An Incident of Whaling

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