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Buy Museum Art Reproductions Cain and Abel by Ubaldo Gandolfi (1728-1781, Italy) | ArtsDot.com

Cain and Abel

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The drawing represents the biblical scene of the murder of Abel and points out the physicality of the characters. During the second half of the 17th century, Ubaldo Gandolfi was one of the main leading figures of Accademia Clementina whose main purposes were the practice of drawing and the study of human male and female nude. In the last years other drawings and paintings, representing the same biblical scene, have appeared to underline the great fortune of this subject. The Pinacoteca of Bologna possess a similar subject Cain runs away after the killing of Abel (Artisti Italiani 1977, n.108, fig. 108, n. 3785). The drawings preserved in Bologna and Reggio Emilia, can be ascribed to Ubaldo Gandolfi, because of the high quality and the skilful use of lights and shadows. (A. Bigi Iotti, 2016)
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Ubaldo Gandolfi

Ubaldo Gandolfi was an Italian painter of the late-Baroque period, mainly active in and near Bologna.
He was born in San Matteo della Decima and enrolled by the age of 17 at the Clementine Academy, where he apprenticed with Ercole Graziani the Younger, Felice Torelli, and Ercole Lelli. He was from a large family of prolific artists, including his sons Giovanni Battista and Ubaldo Lorenzo, as well as his brother Gaetano and nephews Mauro, Democrito (who became a pupil of Antonio Canova), and niece Clementina. Together, they are considered among the last representatives of the grand manner of painting characteristic of the Bolognese school, that had risen to prominence nearly two centuries earlier with the Carracci.
Gandolfi's work ranges from Baroque to Neoclassic styles, and specifically recalls the style of Ludovico Carracci. He completed, in 1770-75, a series of canvases on mythological narratives for the Palazzo Marescalchi in Bologna (two are now in Museum of North Carolina ). He died in Ravenna in 1781. Among his pupils was Giuseppe Grimanti, Giovanni Lipparini (il Rosolino), and Nicola Levoli.

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