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TOP1312/1000
Albrecht Durer - The Martyrdom of the Ten ThousandThe Martyrdom of the Ten ThousandAlbrecht Durer

The Martyrdom of the Ten Thousand is an oil painting by Albrecht Dürer, dating to 1508 and now at the Kunsthistorisches Museum of Vienna, Austria. It is signed on a cartouche which hangs from the artist's self-portrait in the center, saying Iste fatiebat Ano Domini 1508 Albertus Dürer Aleman. The pa...

Kunsthistorisches Museum (Vienna, Austria)
TOP3153/1000
Frida Kahlo - My Dress Hangs ThereMy Dress Hangs ThereFrida Kahlo

Frida Kahlo painted what she knew. Most of her works were reflections about her own life and what she was going on in her personal life. When Frida Kahlo went to New York with her husband in 1933, for there second visit, she began painting My Dress Hangs There. This painting portrays Frida's feeling...

Hoover Gallery (San Francisco, United States)
 
TOP1285/1000
Jean Frederic Bazille - Family ReunionFamily ReunionJean Frederic Bazille

Réunion de famille also called Portraits de famille (Family Reunion also called Family Portraits) which he completed in 1867 and altered slightly two years later. It is a large painting, measuring 152cms x 230cms. The subject of the work is an extended family gathering at Bazille’s family’s countr...

Musée d'Orsay (Paris, France)
TOP38510/1000
Gustave Courbet - Woman with a ParrotWoman with a ParrotGustave Courbet

Galvanized by the success of Cabanel's Birth of Venus (Musée d'Orsay, Paris) at the Salon of 1863, Courbet sought to challenge the French Academy on its own terms with a painting of a nude that would be accepted by the increasingly rigid—and arbitrary—Salon jury. His first attempt, in 1864, was reje...

Metropolitan Museum of Art (New York, United States)
13/1000
Guillaume Ii Coustou - Monument to the DauphinMonument to the DauphinGuillaume Ii Coustou

Cranach, like his contemporary Albrecht Dürer, was a dominant figure in German Renaissance painting. The influence of both artists was pervasive, although Cranach had the advantage of outliving Dürer by as much as thirty years. At the start of his career he was active in Munich and Vienna, but in 15...

Cathedral (Sens, France)
14/1000
Lucas Cranach The Elder - Apollo and Diana in the Wood 1Apollo and Diana in the Wood 1Lucas Cranach The Elder

Cranach, like his contemporary Albrecht Dürer, was a dominant figure in German Renaissance painting. The influence of both artists was pervasive, although Cranach had the advantage of outliving Dürer by as much as thirty years. At the start of his career he was active in Munich and Vienna, but in 15...

17/1000
Lucas Cranach The Elder - Portraits of Johann I and Frederick III the wise, Electors of SaxonyPortraits of Johann I and Frederick III the wise, Electors of SaxonyLucas Cranach The Elder

The figures occupy only the upper part of the two small portraits, the lower part being taken up by long inscriptions. The paintings portray the two Electors in solemn dress keeping with their status. In these two small works we see the German artist's marked predilection for an almost popular reali...

Galleria degli Uffizi (Florence, Italy)