US: +1 (707) 877-4321 FR: +33 977-198-888

English Français Deutsch Italiano Español Русский 中国 Português 日本

FAVORITES MY CART

The 1000++ Artworks of style Romanticism and with the specified color

FREE Shipping. FREE Returns All the time. See details.

TOP3392/1000
Eugène Delacroix - Arab Horses Fighting in a StableArab Horses Fighting in a StableEugène Delacroix

Arab Horses Fighting in a Stable is a 1860 painting by the French painter Eugene Delacroix. The painting portrays two arab horses fighting inside a stable while three men are trying to calm the horses.

Musée du Louvre (Paris, France)
TOP3995/1000
John William Waterhouse - Flora and the ZephyrsFlora and the ZephyrsJohn William Waterhouse

Flora and the Zephyrs (1897) is an oil painting by the English Pre-Raphaelite painter John William Waterhouse. Flora was the Roman goddess of flowering plants. The Zephyr was the wind from the West. Zephyrus was the god of the West Wind, and dwelt with his brother wind, Boreas, in a palace in Thrace...

TOP3786/1000
Thomas Cole - Expulsion. Moon and FirelightExpulsion. Moon and FirelightThomas Cole

Expulsion, Moon and Firelight (1828) is oil on canvas painting by the founder of the Hudson River School and American artist Thomas Cole. This enigmatic painting of visionary character is probably a version of another work by the artist, entitled The Expulsion of Adam and Eve from the Garden of Eden...

Thyssen-Bornemisza Museum (Madrid, Spain)
TOP3407/1000
John William Waterhouse - Echo and NarcissusEcho and NarcissusJohn William Waterhouse

Echo and Narcissus is a painting dating from 1903 by John William Waterhouse. It illustrates the poem Echo and Narcissus from Ovid's Metamorphoses. John William Waterhouse (1847–1917) was an English painter who, because of his style and themes, has been classified as a Pre-Raphaelite, but is more ac...

Walker Art Gallery (Liverpool, United Kingdom)
TOP2818/1000
John Everett Millais - Autumn LeavesAutumn LeavesJohn Everett Millais

Malcom Warner's excellent entry for this painting in the 1984 Tate catalogue points out that 'with 'Autumn Leaves' Millais set out to paint 'a picture full of beauty and without subject', a work in which the very specific story-telling that plays such a part in his paintings of the early-1850s is re...

City Art Gallery (Manchester, United Kingdom)