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The 1000++ Artworks of media Oil On Canvas and containing the word antonio allegri da correggio, oil on canvas, gods, 1550

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TOP922/1000
Paul Delvaux - The Sleeping VenusThe Sleeping VenusPaul Delvaux

Delvaux’s work combined classical perfection with an erotic and troubling atmosphere. The sensuousness of Sleeping Venus is set against its oppressive night-time setting. Delvaux later explained that it was painted in Brussels during the German wartime occupation and while the city was being bombed....

Tate Gallery (London, United Kingdom)
 
TOP3993/1000
John William Waterhouse - Flora and the ZephyrsFlora and the ZephyrsJohn William Waterhouse

Flora and the Zephyrs (1897) is an oil painting by the English Pre-Raphaelite painter John William Waterhouse. Flora was the Roman goddess of flowering plants. The Zephyr was the wind from the West. Zephyrus was the god of the West Wind, and dwelt with his brother wind, Boreas, in a palace in Thrace...

TOP3336/1000
John William Waterhouse - AriadneAriadneJohn William Waterhouse

Ariadne (1898) is an oil painting by the English Pre-Raphaelite painter John William Waterhouse. 'Whan Adryane his wif aslepe was For that hire syster fayrer was than she, He taketh hire in his hond and forth goth he To shipe, and as a traytour stal his wey, Whil that this Adryane aslepe lay.' Geof...

TOP5049/1000
Salvador Dali - The Metamorphosis of NarcissusThe Metamorphosis of NarcissusSalvador Dali

Metamorphosis of Narcissus (1937) is an oil-on-canvas painting by the Spanish surrealist Salvador Dalí. This painting is from Dalí's Paranoiac-critical period. According to Greek mythology, Narcissus fell in love with his own reflection in a pool. Unable to embrace the watery image, he pined away, a...

Tate Gallery (London, United Kingdom)
 
10/1000
Tiziano Vecellio (Titian) - Venus of Urbino (detail)Venus of Urbino (detail)Tiziano Vecellio (Titian)

Tosini, who entered in the workshop of Ridolfo Ghirlandaio, frequently collaborated with Ridolfo. The continuing practice of Ridolfo and his workshop, with their familiar, legible, definitive style of unmistakable force and charm, in many later altarpieces produced after 1550, like The Martyrdom of ...

Galleria degli Uffizi (Florence, Italy)