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Buy Museum Art Reproductions Morning, Autumn Sunlight, Eragny, 1900 by Camille Pissarro (1830-1903, United States) | ArtsDot.com

Morning, Autumn Sunlight, Eragny

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The painting Morning, Autumn Sunlight, Eragny by Camille Pissarro is a beautiful depiction of a sunny day in the countryside with trees and grass. Created in 1900, this oil on canvas piece showcases the artist's ability to capture the beauty of nature through his unique impressionist style.

The Painting's Composition

The scene features a large tree near the center of the painting, surrounded by several other trees. There are also two benches visible in the image, one located towards the left side and another on the right side of the painting. A dog resting underneath one of them adds a touch of life to the serene landscape. The overall atmosphere of the painting conveys a sense of tranquility and peacefulness.

Impressionist Style

Camille Pissarro's impressionist style is characterized by his use of short, broken brushstrokes and vivid colors. In Morning, Autumn Sunlight, Eragny, he masterfully captures the play of light on the trees and grass, creating a sense of movement and energy. This style is reminiscent of other famous impressionist artists, such as Paul Gauguin and Paul Cezanne, whose works can be found at the Musée des Beaux-Arts André Malraux in Le Havre, France. Some notable paintings that showcase a similar style include: BR> For art enthusiasts and collectors, Morning, Autumn Sunlight, Eragny is a must-see piece. Its beauty and significance can be appreciated by visiting the ArtsDot website, which offers hand-made oil painting reproductions of this masterpiece.
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Camille Pissarro

Early Life and Training

Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter, was born on July 10, 1830, on the island of St. Thomas (now in the US Virgin Islands). His father, Frederick Pissarro, was of Portuguese Jewish descent with French nationality, and his mother, Rachel Manzano de Pissarro, was from a French-Jewish family. Pissarro's early education took place at the Savary Academy in Passy near Paris, where he developed an appreciation for French art masters. He later studied under Anton Melbye, a Danish painter, and worked alongside Georges Seurat and Paul Signac when he adopted the Neo-Impressionist style at the age of 54.

Artistic Contributions and Style

Pissarro's importance in art history lies in his contributions to both Impressionism and Post-Impressionism. He was a pivotal figure in establishing a collective society of fifteen aspiring artists in 1873, earning him the title "dean of the Impressionist painters" due to his wisdom, kindness, and balanced personality. Pissarro's artistic style focused on portraying individuals in natural settings without "artifice or grandeur." He was the only artist to have shown his work at all eight Paris Impressionist exhibitions from 1874 to 1886. His work acted as a father figure not only to the Impressionists but also to four major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh, and Paul Gauguin.

Notable Works and Legacy

Some of Pissarro's notable works include: Key Points: - Born: July 10, 1830, St. Thomas (US Virgin Islands) - Nationality: Danish-French - Art Movement: Impressionism and Neo-Impressionism - Notable Works: Red Roofs, View from My Window, Le Havre - Featured in: Musée d'Orsay, Metropolitan Museum of Art, WahooArt Divisionism Art Movement and Orovida Camille Pissarro, the artist's granddaughter, are also featured on WahooArt.

Early Life and Training

Camille Pissarro, a Danish-French Impressionist and Neo-Impressionist painter, was born on July 10, 1830, on the island of St. Thomas (now in the US Virgin Islands). His father, Frederick Pissarro, was of Portuguese Jewish descent with French nationality, and his mother, Rachel Manzano de Pissarro, was from a French-Jewish family. Pissarro's early artistic training began at the Savary Academy in Passy near Paris. He developed an appreciation for French art masters and was encouraged by Monsieur Savary to draw from nature. At 17, he returned to St. Thomas and continued drawing during his breaks and after work as a cargo clerk.

Artistic Career

In 1855, Pissarro moved to Paris, where he worked as an assistant to Danish painter Anton Melbye. He studied paintings by Courbet, Daubigny, Millet, and Camille Corot, whose style impressed him. Pissarro eventually found the teaching methods of École des Beaux-Arts and Académie Suisse "stifling" and sought alternative instruction from Corot. Pissarro's initial paintings were in line with the standards of the time, displayed at the Paris Salon. His first painting was accepted and exhibited in 1859. He worked in the traditional manner to satisfy the tastes of the official committee.

Contribution to Impressionism

Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He acted as a father figure not only to the Impressionists but also to four major Post-Impressionists: Georges Seurat, Paul Cézanne, Vincent van Gogh, and Paul Gauguin.

Legacy

Pissarro's importance resides in his contributions to both Impressionism and Post-Impressionism. He remains a pivotal figure in the art world, with his work continuing to be celebrated and studied by art enthusiasts. Recommended Reading: The Museum Frieder Burda (Germany) - A Haven for Art Lovers Camille Pissarro on Wikipedia

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